Las Ventas

Plaza de Toros de Las Ventas by José Espeliú, 1931
Calle Alcalá, Salamanca
Madrid, September 2022

“The Plaza de Toros de Las Ventas, known simply as Las Ventas, is the largest bullfighting ring in Spain, located in the Guindalera quarter of the Salamanca district of Madrid. It was inaugurated on June 17, 1931. Its seating capacity of 23,798, makes it the third-largest bullfighting ring in the world, after bullrings in Mexico and Venezuela. After the federal ban of bulfighting in Plaza México, Las Ventas is the second largest bullring in the world still in operation for its original intention. This bullring was designed by the architect José Espeliú in the Neo-Mudéjar (Moorish) style with ceramic incrustations. The seats are situated in ten ‘tendidos’. The price of the seats depends upon how close they are to the arena and whether they are in the sun or the shade (the latter being more expensive). The bullfighting season starts in March and ends in October; bullfights are held every day during the San Isidro Fiesta, and every Sunday or holiday during the season. Bullfights start at 6 or 7pm and last for two to three hours.” (Las Ventas, Wikipedia)

Día y Noche

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‘Día y Noche’ (Day and Night) by Antonio López García, 2008
Avenida de la Ciudad de Barcelona
Madrid, September 2022

“Just outside Atocha Station (a transportation hub also known for its own tropical garden), a pair of gigantic, realistic baby heads greet passengers. Made of bronze, they stand 3 meters (or nearly 10 feet) tall and weigh over 2 tons each. Although they may seem slightly creepy, the story behind these sculptures is a sweet one. The baby heads, installed here in 2008, are the work of the Spanish artist Antonio López García. They represent ‘Day’ (Día) and ‘Night’ (Noche). One of them has its eyes open and the other has its eyes shut. Designed in López García's realistic style, the meaning behind the freestanding baby heads may leave viewers scratching their own heads. But actually, both are based on the face of López García's granddaughter Carmen, when she was only eight months old. Born in a rural town in 1936, López García came to Madrid when he was 13 years old to study art. He first arrived at Atocha Station, and made his name as an artist in the following years. So it's quite fitting to find his baby granddaughter here, even though most people pass by the heads without knowing their background.” (Día y Noche, Atlas Obscura)

Puerta de Toledo

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Puerta de Toledo (Toledo Gate)
Glorieta de la Puerta de Toledo
Madrid, September 2022

“The Puerta de Toledo (Toledo Gate) was one of the access gates to the city of Madrid. There were previously three other gates called Toledo in the vicinity, the current one dates from the first third of the 19th century and was designed by the Spanish architect Antonio Aguado , which is located in the middle of the Glorieta de la Puerta de Toledo acting as a roundabout. It was erected as a triumphal arch in honor of King Ferdinand VII as a commemoration of the Spanish War of Independence after the French occupation. It was the last monumental gate erected in the old city of Madrid. It was built between 1813 and 1827 and was restored by Madrid City Council in 1995. Its location in the city provided access from the city center via calle de Toledo to the roads south of Madrid (Camino Real de Andalucía), after crossing the Manzanares River via the Toledo Bridge and the Carabancheles mountains.” (Puerta de Toledo, Wikipedia)

Statue of Isabel II

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Statue of Isabel II by José Piquer, 1850
Plaza de Isabel II
Madrid, September 2022

“That same year, 1868, the statue of Isabel II, commissioned and paid for by Manuel López Santaella and the work of José Piquer y Duart, was placed in the center of the square. A year later, the statue was removed from the center of the square and placed in the Teatro Real, until 1862, when an allegorical sculpture of the Comedy, the work of Francisco Elías Vallejo, was placed in its place. However, Isabel II did not return to the square until 1905. Valentín Gutiérrez de Miguel in the newspaper La Voz of February 3, 1922, gives a long account of the events and vicissitudes of the statue, its various locations and the pedestals needed, as well as the stinginess of the repeated operations to finance the works.” (Plaza de Isabel II, Wikipedia)

Al pueblo del 2 de mayo de 1808

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“Al pueblo del 2 de mayo de 1808” by Aniceto Marinas, 1891
Jardines del General Fanjul, Calle Ferraz
Madrid, September 2025

“‘A los héroes del dos de mayo’ or ‘Al pueblo del dos de mayo de 1808’ is an instance of public art in Madrid, Spain. A sculptural work by Aniceto Marinas, the monument is an homage to the role of the Madrilenian people during the 1808 Dos de mayo uprising. Originally sculpted in Rome by Aniceto Marinas in 1891, the sculptural group depicts a winged statue holding a banner that emerges on top of a soldier, a cannon, a small boy and a number of corpses, male and female alike.” (Al pueblo del dos de mayo de 1808, Wikipedia)

Templo Nacional de Santa Teresa de Jesús

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Templo Nacional de Santa Teresa de Jesús
Plaza de España, Moncloa - Aravaca
Madrid, September 2025

“The National Temple of Saint Teresa of Jesus is a Catholic temple located in the Plaza de España in Madrid and belonging to the Carmelite order. With the name National Temple of Saint Teresa of Jesus and Convent of the Discalced Carmelite Fathers it was declared an asset of cultural interest on December 20, 1995. From 1965 to 2015 it was the headquarters of the Parish of Saint Teresa and Saint Joseph, for which the temple is also known by that name.” (Templo Nacional de Santa Teresa de Jesús y Convento de los Padres Carmelitas Descalzos, Wikipedia)

El Vecino Curioso

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El Vecino Curioso (The Curious Neighbor) by Salvador Fernández Oliva, 1999
Calle de la Almudena
Madrid, September 2025

“Madrid has almost 2,000 sculptures, some of which are predictably dedicated to former monarchs, military heroes, and other prominent public figures. Yet some of the more interesting statues are compelling precisely because of how ordinary they are. Look carefully and you'll find life-size depictions or anonymous Madrileños going about their business. ‘El Vecino Curioso’, or ‘The Curious Neighbor’, is a bronze of a middle-aged gentleman created by sculptor Salvador Fernández Oliva in 1999. He appears to be leaning on a railing and looking down at the archeological remains of Santa María de la Almudena, the first church to be built in Madrid. The statue is anchored directly to the sidewalk, without a base. Unfortunately, only a few remnants of the original church survived after it fell victim to the construction work on Calle de Bailén in 1868. What's left is visible through a protective glass case, into which this curious neighbor peers. The statue's underside is polished from the many times it has been touched. Some say this is out of habit, others think it brings good luck. The statue has spent several decades in the same place, practicing the national sport of pensioners: ‘watching the works’.” (The Curious Neighbor, Atlas Obscura)

Monument to Eloy Gonzalo

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Monument to Eloy Gonzalo by Aniceto Marinas, 1902
Plaza de Cascorro
Madrid, September 2025

“The Monument to Eloy Gonzalo is an instance of public art in Madrid, Spain. It is a monument dedicated to Eloy Gonzalo, the so-called Hero of Cascorro. Erected on the plaza de Cascorro, it consists of a bronze statue of the aforementioned Cuban War hero authored by Aniceto Marinas, put on a stone plinth. It is a monument dedicated to Eloy Gonzalo [es] a Spanish soldier in the Cuban War independence who, in September 1896 — during a siege by a party of about 2,500 Cuban mambises equipped with 70 mm battalion guns on a small regiment of Spanish soldiers garrisoned in the small village of Cascorro — reportedly volunteered to his superiors in a nearly suicidal mission to infiltrate the enemy lines and fire the hut used as a warehouse for the weaponry of the enemy. Reportedly equipped with a 10-liter gasoline can, a Mauser rifle, a torch and a rope (to tie himself allowing for the retrieval of his corpse in case he fell in action, as he was certain of) he succeeded against all odds, helping to demoralize the enemy until the lift of the siege by General Adolfo Jiménez Castellanos, only to die of dysentery in Matanzas in June 1897.” (Monument to Eloy Gonzalo, Wikipedia)

Tío Pepe

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Close-up of the “Tío Pepe” sign
Puerta del Sol
Madrid, September 2025

“Tío Pepe (Uncle Pepe, named after one of the founders' uncles) is a brand of Sherry. It is best known for its fino style of dry sherry made from the palomino grape. The Tío Pepe brand is owned by the González Byass Sherry house. Tío Pepe has based its success on promoting itself as a very dry white wine to be served with food, in doing so aiming to differentiate itself from poor quality sherries and their downmarket reputation. The Tío Pepe soleras were established in 1844 and have run uninterrupted since that time.” (Tío Pepe, Wikipedia)

La Casa Encendida

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La Casa Encendida
Ronda de Valencia
Madrid, September 2025

“La Casa Encendida is a social and cultural centre in central Madrid (on the Ronda de Valencia where it is met by Calle Valencia). It began operations in December 2002. It belongs to the Fundación Montemadrid (the formal title of which is Fundación Obra Social y Monte de Piedad de Madrid), a social responsibility entity set up by the Spanish bank Caja Madrid. Among its activities are avant-garde art exhibitions, and running courses and workshops on social matters, culture and the environment. The cultural programme includes performance art, film, exhibitions and other forms of contemporary creativity. It developed as a place which particularly supports young artists. The name La Casa Encendida (The Burning House in English) is taken from the eponymous book of the poet Luis Rosales Camacho, whose heirs gave their permission for its use” (La Casa Encendida, Wikipedia)

Museo Geominero

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Museo Geominero
Calle de Ríos Rosas, Chamberí
Madrid, September 2025

“The Museo Geominero (Geomineral Museum) is a geology museum displaying minerals and fossils from Spain and its former colonies. It is located inside the Instituto Geológico y Minero de España building in Madrid, Spain. The museum has its roots in the collection of the 'Comisión para formar la Carta geológica de Madrid y la general del Reino' (Commission to form the geographical letter of Madrid and the kingdom), which was created by Isabella II in 1849. The collection has been housed in its current location since 1927, and was conceived of by Spanish mining engineer D. Primitivo Hernández Sampelayo. It has been known as the Museo geominero since 1989. The museum is located in the headquarters of the Geological and Mining Institute of Spain. The building was designed by Spanish architect Francisco Javier de Luque, and built between 1921 and 1925. The contents of the museum are displayed in 250 showcases on the ground floor of the building and three perimeter balconies.” (Museo Geominero, Wikipedia)

Canal de Isabel II

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Elevated reservoir of the Canal de Isabel II
Calle Santa Engracia, Chamberí
Madrid, September 2025

“Canal de Isabel II (CYII) is the company that manages the bulk of water supplies for the Community of Madrid. It is primarily owned by the regional administration through the so-called Ente Público Canal de Isabel II, with a minor stake owned by local governments. The Y in the abbreviated form of the company's name is from the old spelling Ysabel for Queen Isabel II, during whose reign a modern water supply was provided for Madrid. A canal was constructed to provide water from the catchment of the river Lozoya. The water entered the city through its northern suburbs using gravity.” (Canal de Isabel II, Wikipedia)

Puerta de Alcalá

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Puerta de Alcalá
Plaza de la Independencia
Madrid, September 2025

“The Puerta de Alcalá is a Neo-classical gate in the Plaza de la Independencia in Madrid, Spain. It was a gate of the former Walls of Philip IV. It stands near the city center and several meters away from the main entrance to the Parque del Buen Retiro. The square is bisected by Alcalá Street, although the street does not cross through the monument, and it is the origin of the Alfonso XII, Serrano and Olózaga streets. Its name originates from the old path from Madrid to the nearby town of Alcalá de Henares. Madrid in the late 18th century still looked like a somewhat drab borough, surrounded by medieval walls. Around the year 1774, King Charles III commissioned Francesco Sabatini to construct a monumental gate in the city wall through which an expanded road to the city of Alcalá was to pass, replacing an older, smaller, gate that stood nearby. It was inaugurated in 1778. The ornamental details were sculpted by Francisco Gutiérrez and Roberto Michel, and made of white stone from Colmenar. The architectural elements are chiefly made of granite from Segovia.” (Puerta de Alcalá, Wikipedia)

Torres de Colón

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Torres de Colón (Columbus Towers) by Antonio Lamela, 1976
Calle de Génova, Chamberí
Madrid, September 2025

“Columbus Towers or Torres de Colón is a highrise office building composed of twin towers located at the Plaza de Colón in Madrid, Spain. The building constructed in 1976 was designed by the architect Antonio Lamela. The building with its 116-meter height and 23 floors is the twelfth-tallest in the Spanish capital (counting the CTBA towers). It was the headquarters of the Rumasa company, during which time its name was changed to Torres de Jerez (Towers of Jerez), in honour of the home town of the company. It is currently valued at $116 million. It is found in and dominates the Plaza de Colón, one of the major commercial centres in Madrid. The twin buildings are known locally as ‘El Enchufe’ or ‘The Plug’ for the plug-like structure that binds them. The towers have a suspended structure; the building consists of two pillars together on top of a platform from which hang two large towers with perimeter beams six feet singing with pendulums each floor with cable-stayed steel cables. Construction commenced with the concrete footings, the two central pillars and the upper platform. Then the towers were built from top to bottom, from the upper platform plant to plant closer to the base of the building. At the base, three floors (six floors including basements) were built from the bottom up. The glass facades are covered with maroon and green and there is a structure (the ‘plug’ added later) at the top. The building houses offices of various companies and shops on the lower floors.” (Torres de Colón, Wikipedia)

Museo Sorolla

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Museo Sorolla
Paseo del General Martínez Campos, Chamberí
Madrid, September 2025

“The Sorolla Museum (Spanish: Museo Sorolla) is a single-artist museum in Madrid, Spain, devoted to the work and life of Joaquín Sorolla and the members of his family, such as his daughter Elena. The museum is located in the house that was the artist's home and workshop, which was converted into a museum after the death of his widow. It is one of the National Museums of Spain and it is attached to the Ministry of Culture. The building was designed by Enrique María Repullés. The principal rooms continue to be furnished as they were during the artist's life, including Sorolla's large, well-lit studio, where the walls are filled with his canvasses. Other rooms are used as galleries to display Sorolla's paintings, while the upstairs rooms are a gallery for temporary exhibitions. In 2014, these rooms presented an exhibition of David Palacin photographs of the ballet Sorolla produced by the Spanish National Dance Company.” (Sorolla Museum, Wikipedia)

Monumento a Calvo Sotelo

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Monumento a Calvo Sotelo by Carlos Ferreira de la Torre, 1960
Paseo de la Castellana
Madrid, September 2025

“The Monument to Calvo Sotelo (Spanish: Monumento a Calvo Sotelo) is an instance of public art located in Madrid, Spain. Erected on the south of the Plaza de Castilla, it is dedicated to José Calvo Sotelo, who was assassinated shortly before the outbreak of the Spanish Civil War. The monument was an initiative of the ‘National Junta’ for the homage to the Glorious Proto-Martyr of the Crusade Don José Calvo Sotelo, an entity reanimated in 1954 by the Francoist dictatorship in order to resume earlier Burgos government's projects dating back to 1938 intending to commemorate the aforementioned politician and delayed by the then ongoing state of war. The location of the monument was decided in 1958. Commissioned to Manuel Manzano-Monís (architect) and Carlos Ferreira de la Torre (sculptor), the monument fuses the aesthetics of Italian fascism with the Spanish vanguard of the time. Made of reinforced concrete, the single written inscription on the material reads ‘España a Calvo Sotelo’ (Spain to Calvo Sotelo). It was unveiled on 13 July 1960. It was slightly relocated in 1992 during the works of reform of the Plaza de Castilla and put on a raised platform in the south end of the plaza. Its frontal perspective generates an axis of symmetry with the Puerta de Europa twin towers.” (Monument to Calvo Sotelo, Wikipedia)

Torre Cepsa

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Torre Cepsa by Norman Foster, 2008
Paseo de la Castellana
Madrid, September 2025

“The Torre Moeve (Moeve Tower) is a skyscraper located in the Cuatro Torres Business Area in Madrid, Spain. With a height of 248.3 m (815 ft) and 45 floors, it is the second tallest of the four buildings in the Cuatro Torres Business Area complex, surpassed by Torre de Cristal by less than a metre. It is the second tallest building in Spain and the 5th tallest building in the European Union. It was successively named the Torre Repsol, the Torre Caja Madrid, the Torre Bankia, the Torre Cepsa between 2014 and 2024, and currently the Torre Moeve, depending on which major Spanish company had the lease. Designed by Lord Foster — and this also colloquially referred to as the Torre Foster, — it was built by a joint venture of Dragados and Fomento de Construcciones y Contratas. The tower was initially known as Torre Repsol and would have served as headquarters for Repsol YPF oil and gas company. During the construction of the tower, Repsol decided to change the location of its future headquarters and the financial institution Caja Madrid purchased the building for €815 million in August 2007. In 2016 it was bought by Amancio Ortega, Europe's richest man and founder of global fashion group and Zara owner Inditex (ITX.MC), for €490 million euros through his property investment arm, Pontegadea Inmobiliaria, one of the biggest property companies in Spain. He purchased the tower from Abu Dhabi tycoon Khadem al-Qubaisi, whose fund had exercised a last-minute purchase option from Spanish lender Bankia (BKIA.MC), its previous owner. The current name of the tower refers to the energy company Moeve, previously known as Cepsa, headquartered in the building. It is likely to change its name once again if Moeve goes ahead with the plan to move its HQ to another part of Madrid.” (Torre Cepsa, Wikipedia)

Torre de Cristal

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Torre de Cristal (Glass Tower) by Cesar Pelli, 2008
Paseo de la Castellana
Madrid, September 2025

“The Torre de Cristal (Glass Tower) is a skyscraper in the Cuatro Torres Business Area (CTBA) in Madrid, Spain, completed in 2008. With a final height of 249 m (817 ft), it surpassed Torre Emperador as the tallest building in Spain, and is the fifth-tallest in the European Union. It was designed by Cesar Pelli and built by Dragados.” (Torre de Cristal, Wikipedia)

Caleido

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Caleido by Fenwick Iribarren Architects, 2021
Paseo de la Castellana
Madrid, September 2025

“Caleido is a 173-metre-tall (568 ft), 36-story skyscraper located in Madrid. It is popularly known as the Quinta Torre (Fifth Tower), as it stands near the other four skyscrapers of the Cuatro Torres Business Area (CTBA) complex along the Paseo de la Castellana. As of 2021, IE University is the main tenant. Construction began in April 2017 and the tower was formally completed on 19 October 2021. The original completion date was September 2020, but it was delayed due to the COVID-19 pandemic. The building occupies the former site of the Centro Internacional de Convenciones de la Ciudad de Madrid. It is the fifth tallest building in Madrid and the seventh tallest in Spain. Caleido was designed by the architectural firms Fenwick Iribarren and Serrano-Suñer Arquitectura. The main contractor was OHL Desarrollos.” (Caleido, Wikipedia)

Simeón Sentado

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Simeón Sentado by Francisco Leiro, 2007
Paseo de la Castellana
Madrid, September 2025

“Simeon wanted to be alone to meditate, but he was so rigorous in his methods that he was expelled from the monastery. To escape the world, he went to the desert and there looked for a dry cistern, but curiosity was aroused, and his fame drew hundreds of people to visit him. He also visited the cave where he later took refuge. Fed up with everything, he had a three-meter-high column built, but it wasn't enough. He asked for another seven-meter one, but that wasn't enough either. Finally, he got one seventeen meters high, which he climbed. According to legend, he spent thirty-seven years there, until he died in 459. He was known as Simon the Stylite, and his memory is commemorated on January 5th. Luis Buñuel made a film about him, Simon of the Desert (1965), a cinema classic. Buñuel didn't let him die on the column, but that's another story. This is ‘Simeón sentado’ (Simon Seated), a bronze sculpture on a granite column by Francisco Leiro, installed in 2007 at the Cuatro Torres in Madrid. Leiro, who has other sculptures in which the biblical and the classical interact with modernity, wanted to see here a distracted attitude in Simeon, evoking the Hellenistic Thorn-Bearer, but also Rodin's thinker. I said distracted, but I could say relaxed: is good old Simeon meditating, or has he been distracted by the flight of a butterfly? No matter how high you climb, the world will always call you back. There, next to it, is the Torre Emperador Castellana, formerly Torre Espacio, with its two hundred and thirty meters of height (the fourth tallest building in Spain) and many people perched on it. Are they meditating? The tower is also famous for the fire that broke out there while it was still under construction, in September 2006. Will Simeon think of this when he sees people staring curiously at him from above?” (Simeón sentado, La Acequia)