Thursday, October 15, 2026

Puerta de Toledo

Puerta de Toledo (Toledo Gate), Glorieta de la Puerta de Toledo, Madrid

Puerta de Toledo (Toledo Gate)
Glorieta de la Puerta de Toledo
Madrid, September 2022

“The Puerta de Toledo (Toledo Gate) was one of the access gates to the city of Madrid. There were previously three other gates called Toledo in the vicinity, the current one dates from the first third of the 19th century and was designed by the Spanish architect Antonio Aguado , which is located in the middle of the Glorieta de la Puerta de Toledo acting as a roundabout. It was erected as a triumphal arch in honor of King Ferdinand VII as a commemoration of the Spanish War of Independence after the French occupation. It was the last monumental gate erected in the old city of Madrid. It was built between 1813 and 1827 and was restored by Madrid City Council in 1995. Its location in the city provided access from the city center via calle de Toledo to the roads south of Madrid (Camino Real de Andalucía), after crossing the Manzanares River via the Toledo Bridge and the Carabancheles mountains.” (Puerta de Toledo, Wikipedia)

Wednesday, October 14, 2026

Romeo e Giulietta

Romeo e Giulietta, un sogno sospeso by Enrico Muscetra, Piazza Indipendenza, Verona

Romeo e Giulietta, un sogno sospeso (Romeo and Juliet, a suspended dream) by Enrico Muscetra, 2008
Piazza Indipendenza
Verona, May 2025

“The monument called ‘Romeo e Giulietta, un sogno sospeso’ (Romeo and Juliet, a suspended dream) represents the two Shakespearean lovers in a stylized form. It was made in Poland in 2008 by the sculptor Enrico Muscetra (Alezio, 1946); then it was placed in piazza Indipendenza in 2012. The work was created for the exposition ‘Romeo e Giulietta, un sogno sospeso’ organized in 2009 for the 20th anniversary of the fall of the Berlin wall; the exposition ended an international project organized to remember the most famous European myths. Critics said that Enrico Muscetra’s sculpture was representative of the whole event. It isn't a coincidence that in this work Romeo and Juliet’s bodies are represented as two hearts: in fact, Muscetra became famous for his bronze sculptures and for “hearts”, his leitmotif. The heart is not only a human organ but it is also the symbol of spirituality. The work is in quite a good state of preservation and it is well valued thanks to its isolated location in the garden and its closeness to the main squares of the city.” (Statue of Romeo and Juliet, VisitVerona)

Tuesday, October 13, 2026

Marcus Claudius Marcellus

Marcus Claudius Marcellus by Marcos Augusto Dueñas, Calle Claudio Marcelo, Córdoba

Marcus Claudius Marcellus by Marcos Augusto Dueñas, 2015
Calle Claudio Marcelo
Córdoba, September 2022

“Marcus Claudius Marcellus (died c. 148 BC) was Roman consul for the years 166 BC (together with Gaius Sulpicius Gallus), for 155 BC (with Publius Cornelius Scipio Nasica Corculum), and for 152 BC (with Lucius Valerius Flaccus). He was apparently the son of Marcus Claudius Marcellus (consul 196 BC), censor in 189 BC and the grandson of Marcus Claudius Marcellus, the five-times consul. He founded Corduba (Córdoba, Spain) in 169 BC.” (Marcus Claudius Marcellus, Wikipedia)

Monday, October 12, 2026

Church of San Gaetano

Church of San Gaetano, Corso Palladio, Vicenza

Church of San Gaetano
Corso Palladio
Vicenza, May 2025

“San Gaetano is a Roman Catholic church located on Corso Palladio #147 in the city of Vicenza, region of Veneto, Italy. The church was erected between 1721 and 1730 using designs of Girolamo Frigimelica Roberti and commissioned by the Theatine order. The church underwent reconstruction after bombardment during WWII in 1944. The church still houses a St Cajetan painted by Francesco Solimena.” (San Gaetano, Wikipedia)

Sunday, October 11, 2026

Edificio Pedro Roldán

Edificio Pedro Roldán by José Espiau, Plaza de Jesús de la Pasión, Casco Antiguo, Seville

Edificio Pedro Roldán by José Espiau, 1927
Plaza de Jesús de la Pasión, Casco Antiguo
Seville, September 2022

“It is located next to the building that was built years earlier on the corner between Siete Revueltas and Alcaicería streets. This building, named after the Sevillian baroque artist Pedro Roldán, is one of the main examples of regionalism. The Arabic lines that can be seen on its façade are made with a combination of brick and tile, as well as the author's use of ornamental ironwork. José Espiau also adds one of the identifying elements of Second Regionalism, the panoramic tower, using again the dome that he already used in other previous constructions such as the Adriatic building and the City of London building that we can later see.” (Edificio Pedro Roldán, Visita Sevilla)

Saturday, October 10, 2026

Cattedrale ex Macello

Cattedrale ex Macello, Via Cornaro, Padua

Cattedrale ex Macello
Via Cornaro
Padua, May 2025

“This exemplary industrial archaeology complex was inaugurated in 1908, designed by engineer Alessandro Peretti, to replace Jappelli's slaughterhouse, built in 1821 and converted into an Art Institute. The entire complex expanded over an area of approximately 17,000 square meters. The main entrance consisted of a colonnaded portico, and inside, all the buildings were arranged along a central axis. This unique and innovative layout was modeled after the Offenbach slaughterhouse in Germany. The original function of the slaughterhouse was suspended in the early 1970s and in 1984 the cattle slaughterhouse, which is the main room of the complex, was restored in accordance with the original structure and used as an exhibition space. It is also called ‘cathedral’ due to its characteristic shape with three ‘naves’.” (Cattedrale ex Macello, Comune di Padova)

Friday, October 9, 2026

Rafael Guastavino

Rafael Guastavino by Alfredo Llorens, Plaza de la Reina, Valencia

Rafael Guastavino by Alfredo Llorens, 2022
Plaza de la Reina
Valencia, September 2022

“Rafael Guastavino Moreno (March 1, 1842 – February 1, 1908) was a Spanish building engineer and builder who immigrated to the United States in 1881; his career for the next three decades was based in New York City. Based on the Catalan vault, he created the Guastavino tile, a ‘Tile Arch System’, patented in the United States in 1885, which was used for constructing robust, self-supporting arches and architectural vaults using interlocking terracotta tiles and layers of mortar. His work appears in numerous prominent projects designed by major architectural firms in New York and other cities of the Northeast. Guastavino tile is found in some of New York's most prominent Beaux-Arts landmarks and in major buildings across the United States. It is also used in numerous architecturally important and famous buildings with vaulted spaces.” (Rafael Guastavino, Wikipedia)