Convento de la Anunciación

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Convento de la Anunciación (Las Úrsulas)
Calle de las Úrsulas
Salamanca, September 2025

“The Convent of the Annunciation, better known as Las Úrsulas, is a Franciscan convent located in the city of Salamanca, on the Paseo de las Úrsulas. Located in the lower choir of the church is a small but interesting museum. The convent of Santa Úrsula was founded by Sancha Maldonado between 1460 and 1470, the erection of the monastery being confirmed by papal bull granted by Sixtus IV in 1480. The convent was intended for the Sisters of the Third Order of Saint Francis. The original building is not the one that has survived to this day, although it is known to have been small. Through the aforementioned papal bull, its name was changed from Saint Ursula to the Annunciation of Saint Mary. The need to expand the building soon arose, with the patronage of Alonso II de Fonseca , Archbishop of Santiago and later Patriarch of Alexandria, and nephew of the founder, who intended to establish his funeral chapel in the convent.” (Convento de la Anunciación, Wikipedia)

Ponte Sant'Agostino

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Ponte Sant'Agostino
Via San Tommaso
Padua, May 2025

“Ponte Sant'Agostino is one of the bridges that populate the city of Padua. This natural bridge, a continuation of Via San Tommaso, takes its name from the Church of Sant'Agostino, demolished in 1818. The ancient church had three naves. From the bridge you can enjoy a beautiful view of the Venetian city and admire one of its symbols: the Torre della Specola.” (Ponte Sant' Agostino, Italia Virtual Tour)

Iglesia-convento de Santa Teresa

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Iglesia-convento de Santa Teresa
Statue of Santa Teresa by Óscar Alvariño, 2016
Plaza de la Santa
Ávila, September 2025

“The Iglesia-convento de Santa Teresa is a church and convent located in Ávila, Spain. It was built by the Order of Discalced Carmelites, as outlined by friar Alonso de San José, in the Carmelite style in the first third of the 17th century, supposedly on the site where Saint Teresa of Ávila was born. The central rectangle is divided in four bodies with a triangular pediment with a circle in the middle. The lowest part contains a statue of Saint Teresa. The part below the pediment shows a large coat-of-arms. The entrance consists of three rounded arches, the middle one flanked by pilasters. The interior of the church was built in the style of the Valladolid classicism. It consists of a nave and two lateral aisles, with a transept and a cupola above the crossing. The Chapel of Birth, alongside the presbytery, coincides with place where Teresa was born.” (Iglesia-convento de Santa Teresa, Wikipedia)

San Tomaso Cantuariense

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Church of San Tomaso Cantuariense
Stradone San Tomaso
Verona, May 2025

“The Church of San Tomaso Becket, better known as the Church of San Tomaso Cantuariense, is a Catholic place of worship located near the historic center of Verona, just across the Ponte Nuovo del Popolo. It is dedicated to the English saint Thomas Becket, who was murdered in 1170 because of his aversion to Henry II of England. During the Late Middle Ages there were two churches in the area: one, older, dedicated to Thomas Becket, the second dedicated to the Virgin Annunciate and next to which stood a Benedictine monastery. In the early 15th century, the Carmelites decided to proceed with the expansion of the second one, thus laying the foundation for the present building, which would take its name from the one of St. Thomas, which was torn down. According to an inscription on the facade, construction began around 1449, continuing, not without financial difficulties, until 1504, the year of its consecration. With the arrival of Napoleon the church was used as an infirmary for French troops, and in 1805 the convent was finally suppressed. Under subsequent Austrian rule the cloister was partially demolished and many of the former convent premises used as a military prison. It was necessary to wait for the annexation of Veneto to Italy before the church could be reopened for worship. The present building looks like a combination of traditional Veronese Romanesque and late Gothic. The exterior features an austere facade with a circular rose window and a wide portal, the latter, it is assumed, coming from another building. The interior has a single nave and the pavement consists of red and white squares with the exception of the chancel, while the ceiling is covered with wooden trusses. On the interior side walls of the nave are two burial monuments sculpted by Ugo Zannoni and eight altars set in Renaissance arches. Numerous works of art are preserved that were created by famous painters from Verona, including Paolo Farinati, Girolamo dai Libri, Alessandro Turchi, and Antonio Balestra.” (San Tomaso Becket, Wikipedia)

Torre Pimentel

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Torre Pimentel
Cuesta del Tajo
Torremolinos, March 2025

“The origin of the town’s name is found in the Torre de los Molinos (Tower of the Mills), later called Torre Pimentel after a soldier who helped Ferdinand and Isabella conquer Malaga at the end of the 15th century. The tower stands between calle San Miguel and Cuesta del Tajo, on the way to Bajondillo beach. The Torre Pimentel was built more than 700 years ago, around the year 1300, and its location in the higher part of an escarpment is no coincidence. It was designed as part of an extensive network of defensive towers erected by the Nasrids along the southern coast of the Iberian Peninsula. It was of vital importance to the Kingdom of Granada, which controlled the province of Malaga from the 13th to the 15th century. The Torre Pimentel is made of rammed earth. It is 12 metres high and has a solid base, two floors, windows and a large terrace from which Nasrid wardens watched for possible intrusions from the sea. You only have to close your eyes to imagine the guards looking out across the Mediterranean day and night.” (Torre Pimentel, Visit Torremolinos)

L'adorazione dei Magi

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‘L'adorazione dei Magi’ by Paolo Veronese
Chapel of St. Joseph, Santa Corona
Contrà Santa Corona
Vicenza, May 2025

“The chapel—the third on the right—was built in the last decade of the 18th century, after demolishing the wall where the urn containing the remains of the blessed Bartholomew of Breganze was embedded, now in the Holy Thorn Chapel. During the mid-19th century restorations, an altar with fluted columns and a triangular pediment, erected around 1570 by artists from the Pedemuro San Biagio workshop, was placed there, along with the Adoration of the Magi from the mature period of Paolo Veronese, a painting of exceptional quality and great evocative power that significantly influenced the Vicentine artistic environment, particularly the development of Francesco Maffei. The composition, with a vertical orientation, features a caravan in the lower register moving from the left, guiding the viewer’s gaze toward the Holy Family on the right, with the Madonna standing out for her beauty against a towering column. In the upper section, a metaphysical burst of light, a tangible sign of the Epiphany, contrasts with a dark sky streaked with blue. The light, as a protagonist, skillfully highlights the architectural structures and the rich garments of the figures.” (Santa Corona, Wikipedia)

Monument to Eloy Gonzalo

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Monument to Eloy Gonzalo by Aniceto Marinas, 1902
Plaza de Cascorro
Madrid, September 2025

“The Monument to Eloy Gonzalo is an instance of public art in Madrid, Spain. It is a monument dedicated to Eloy Gonzalo, the so-called Hero of Cascorro. Erected on the plaza de Cascorro, it consists of a bronze statue of the aforementioned Cuban War hero authored by Aniceto Marinas, put on a stone plinth. It is a monument dedicated to Eloy Gonzalo [es] a Spanish soldier in the Cuban War independence who, in September 1896 — during a siege by a party of about 2,500 Cuban mambises equipped with 70 mm battalion guns on a small regiment of Spanish soldiers garrisoned in the small village of Cascorro — reportedly volunteered to his superiors in a nearly suicidal mission to infiltrate the enemy lines and fire the hut used as a warehouse for the weaponry of the enemy. Reportedly equipped with a 10-liter gasoline can, a Mauser rifle, a torch and a rope (to tie himself allowing for the retrieval of his corpse in case he fell in action, as he was certain of) he succeeded against all odds, helping to demoralize the enemy until the lift of the siege by General Adolfo Jiménez Castellanos, only to die of dysentery in Matanzas in June 1897.” (Monument to Eloy Gonzalo, Wikipedia)