Santa Corona

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Santa Corona
Contrà Santa Corona
Vicenza, May 2025

“Santa Corona is a Gothic-style, Roman Catholic church located in Vicenza, region of Veneto, Italy. The church contains the Valmarana chapel (circa 1576), whose design is attributed to the Renaissance architect Andrea Palladio. Palladio himself was initially buried in this church. Construction on the church was begun in 1261 by the Blessed (Beato) Bishop Bartolomeo di Breganze to house a thorn from the supposed relic of the crown (corona) of thorns forced on Jesus during his passion. The thorn had been given to this bishop as a gift from Louis IX of France. The church belonged to the Dominican order until suppression during the Napoleonic era.” (Santa Corona, Wikipedia)

Latte a cheescake

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“Latte a cheescake” (Latte and cheesecake) by Veronika Psotková, 2023
U Sovových mlýnů, Malá Strana
Prague, September 2024

“She later discovered that it is possible to form sculptures from rabit mesh without a supporting structure to which she would transfer the sculpture, but she cuts, shapes and sews the rabit mesh directly into "shells" - spatial "drawings" and only uses the frame for larger objects, which she later removes. She lets the sculptures made of technical mesh grow with the natural color of rust, or repaints them and fixes them with varnish. For exterior sculptures, she also uses hot-dip galvanized mesh (‘Latte a cheescake’, Kampa Prague, 2023).” (Veronika Psotková, Wikipedia)

Memoria e Luce

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“Memoria e Luce” (Memory and Light) by David Libeskind, 2005
Via Giotto
Padua, May 2025

“The ‘Memoria e Luce’ is a memorial located in Padua, Italy for victims of the 9/11 attacks on New York City. A twisted steel beam salvaged from the wreckage of the World Trade Center, which was donated by the United States to the Veneto Region and in turn to the City of Padua, was used to realize the design of an open and luminous book.” (Memoria e Luce, 9/11 Memorial, Studio Libeskind)

Kölner Philharmonie

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Kölner Philharmonie
Bischofsgartenstraße
Cologne, September 2024

“The Kölner Philharmonie is a symphonic concert hall located in Cologne, Germany. It is part of the building ensemble of the Museum Ludwig and was opened in 1986. The Kölner Philharmonie is located close to the Cologne Cathedral and the Cologne Main Station. The ensemble was designed by the architects Busmann + Haberer in the 1980s. Roughly 400 concerts are performed annually with approximately 600,000 visitors. The Kölner Philharmonie is the home base for the Gürzenich Orchester Köln and the WDR Sinfonieorchester Köln. The concert hall was made like an Amphitheatre, to get a close to perfect room acoustic. Therefore, there are no walls which are in parallel to each other, to produce no echo. Size and art of the padding for the seats (the seats were made by the German manufacturer Recaro, which is known for making car [sports] seats) is selected in a way, that the acoustic quieting is constant, independently of the fact if the seat is used by a person or not. The hall has no columns in it and has place for 2,000 people. The size of the hall gives some problems: The hall is below the public Heinrich-Böll square. Walking noise from people with stiletto heels or driving noise from skateboards or trolleys can be heard in the hall. Due to this reason, the town square is closed during performance.” (Kölner Philharmonie, Wikipedia)

Usho

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“Usho” (Cormorant Fisherman) by Kosei Tateno, 1982
Piazza Gavinana
Florence, December 2024

“A Japanese man in the traditional costume of a fisherman, leans over a basket holding the neck of a cormorant, a sea-bird, with his proper right hand as he rests his proper left hand on the bird's back. The bird is standing on the lid of a basket. The man wears sandals, a long pleated skirt, a rope and belt at his waist, an apron-like bib, and a long-sleeved shirt. A pointed scarf covers his hair and is tied over his forehead. The sculpture is mounted on a short base that sits on a concrete pad.” (Cormorant Fisherman, Smithsonian)

Ein Haus für Goethe

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“Ein Haus für Goethe” (A House for Goethe) by Eduardo Chillida, 1986
Taunusanlage
Frankfurt, September 2024

“With his architectural sculpture, sculptor Eduardo Chillida raises several questions. It is far removed from the usual monuments to great poets and thinkers: concrete instead of bronze, abstract forms and geometric structures instead of figurative representation. Indeed, the work connects to a completely different point than the monument tradition: It belongs to a group of works by Chillida that includes homages to well-known artists, scientists, and philosophers. With ‘Ein Haus für Goethe’, Chillida provides the public with unique access to Goethe and his works: He created a space that is open at the front and therefore accessible. This house also does not have a roof—perhaps the artist was thinking of Goethe's interest in ‘light’ and didn't want to exclude this from a house for Goethe... Several monuments to poets have been erected within the ramparts. A brief comparison of the Schiller Monument and the Heine Monument with ‘Ein Haus für Goethe’, which you can find in the text on the first-mentioned object, demonstrates how different the artistic interpretations can be.” (Ein Haus für Goethe, Kunst im öffentlichen Raum Frankfurt)

Fountain of Madonna Verona

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Fountain of Madonna Verona, 1368
Piazza delle Erbe
Verona, May 2025

“The square's most ancient monument is the fountain (built in 1368 by Cansignorio della Scala), surmounted by a statue called Madonna Verona, which is however a Roman sculpture dating to 380 AD. Also historical is the capitello, dating to the 13th century, during which it was used for several ceremonies, including the oath of investment of the city's medieval podestà and pretors. Towards Via Cappello is another column, with a 14th-century aedicula with reliefs of the Virgin and the Saints Zeno, Peter and Christopher.” (Piazza delle Erbe, Wikipedia)