Palazzo Barbieri

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Palazzo Barbieri by Giuseppe Barbieri, 1848
Piazza Bra
Verona, May 2025

“Palazzo Barbieri is a Neoclassical style palace located in Piazza Bra in Central Verona; it now serves as the town hall. The palace was originally named Palazzo della Gran Guardia Nuova, and housed staff associated with the Austrian Army forces. It was designed by Giuseppe Barbieri and was later named in his honor. Construction began in 1836 and was completed by 1848. The interiors contain a large canvas (1595) by Felice Brusasorzi depicting the victory of the Veronese over Benacensi in the year 829. Others who worked in the studio or contributed were Alessandro Turchi, Pasquale Ottino, and Sante Creara. A 14th-century fresco depicting a Crucifixion and the Madonna from a private house was implated into the wall near the entrance. One room has tapestries from the 16th century. One designed by Paolo Farinati depicts the 1164 Victory of the Veronese against Frederick Barbarossa. Tha palace also contains various paintings by Carlo Ferrari and Eugenio Gignous.” (Palazzo Barbieri, Wikipedia)

Friedensbrunnen

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Friedensbrunnen (Peace Fountain) by Johann Friedrich Steger, 1616
Jüdenhof
Dresden, September 2024

“The Friedensbrunnen (Peace Fountain) or Türkenbrunnen (Turkish Fountain) is located in Dresden's old town and is one of the oldest fountains in the city. The fountain stands in the Jüdenhof, west of the Neumarkt in front of the entrance to the Johanneum, which houses the Dresden Transport Museum. The sandstone fountain consists of an octagonal fountain basin with a floor plan of 4.5 by 4.5 meters. The eight sides of the basin are decorated with three eight-pointed rosettes. The basin is surrounded by a granite walkway. The fountain is 1.4 meters deep. In the center of the pool stands an octagonal column with a square pedestal, on which stands a water-spouting mask. The column's sides are decorated with oval, slightly arched reliefs bearing Latin inscriptions. On the pedestal stands a sculpture of the war goddess Bellona. At the back of the fountain basin there is an outlet pipe and below it a flat, round depression in the granite riser for the water to drain away.” (Friedensbrunnen, Wikipedia)

Santa Corona

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Santa Corona
Contrà Santa Corona
Vicenza, May 2025

“Santa Corona is a Gothic-style, Roman Catholic church located in Vicenza, region of Veneto, Italy. The church contains the Valmarana chapel (circa 1576), whose design is attributed to the Renaissance architect Andrea Palladio. Palladio himself was initially buried in this church. Construction on the church was begun in 1261 by the Blessed (Beato) Bishop Bartolomeo di Breganze to house a thorn from the supposed relic of the crown (corona) of thorns forced on Jesus during his passion. The thorn had been given to this bishop as a gift from Louis IX of France. The church belonged to the Dominican order until suppression during the Napoleonic era.” (Santa Corona, Wikipedia)

Latte a cheescake

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“Latte a cheescake” (Latte and cheesecake) by Veronika Psotková, 2023
U Sovových mlýnů, Malá Strana
Prague, September 2024

“She later discovered that it is possible to form sculptures from rabit mesh without a supporting structure to which she would transfer the sculpture, but she cuts, shapes and sews the rabit mesh directly into "shells" - spatial "drawings" and only uses the frame for larger objects, which she later removes. She lets the sculptures made of technical mesh grow with the natural color of rust, or repaints them and fixes them with varnish. For exterior sculptures, she also uses hot-dip galvanized mesh (‘Latte a cheescake’, Kampa Prague, 2023).” (Veronika Psotková, Wikipedia)

Memoria e Luce

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“Memoria e Luce” (Memory and Light) by David Libeskind, 2005
Via Giotto
Padua, May 2025

“The ‘Memoria e Luce’ is a memorial located in Padua, Italy for victims of the 9/11 attacks on New York City. A twisted steel beam salvaged from the wreckage of the World Trade Center, which was donated by the United States to the Veneto Region and in turn to the City of Padua, was used to realize the design of an open and luminous book.” (Memoria e Luce, 9/11 Memorial, Studio Libeskind)

Kölner Philharmonie

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Kölner Philharmonie
Bischofsgartenstraße
Cologne, September 2024

“The Kölner Philharmonie is a symphonic concert hall located in Cologne, Germany. It is part of the building ensemble of the Museum Ludwig and was opened in 1986. The Kölner Philharmonie is located close to the Cologne Cathedral and the Cologne Main Station. The ensemble was designed by the architects Busmann + Haberer in the 1980s. Roughly 400 concerts are performed annually with approximately 600,000 visitors. The Kölner Philharmonie is the home base for the Gürzenich Orchester Köln and the WDR Sinfonieorchester Köln. The concert hall was made like an Amphitheatre, to get a close to perfect room acoustic. Therefore, there are no walls which are in parallel to each other, to produce no echo. Size and art of the padding for the seats (the seats were made by the German manufacturer Recaro, which is known for making car [sports] seats) is selected in a way, that the acoustic quieting is constant, independently of the fact if the seat is used by a person or not. The hall has no columns in it and has place for 2,000 people. The size of the hall gives some problems: The hall is below the public Heinrich-Böll square. Walking noise from people with stiletto heels or driving noise from skateboards or trolleys can be heard in the hall. Due to this reason, the town square is closed during performance.” (Kölner Philharmonie, Wikipedia)

Usho

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“Usho” (Cormorant Fisherman) by Kosei Tateno, 1982
Piazza Gavinana
Florence, December 2024

“A Japanese man in the traditional costume of a fisherman, leans over a basket holding the neck of a cormorant, a sea-bird, with his proper right hand as he rests his proper left hand on the bird's back. The bird is standing on the lid of a basket. The man wears sandals, a long pleated skirt, a rope and belt at his waist, an apron-like bib, and a long-sleeved shirt. A pointed scarf covers his hair and is tied over his forehead. The sculpture is mounted on a short base that sits on a concrete pad.” (Cormorant Fisherman, Smithsonian)