Monday, November 9, 2026
Angelo Beolco detto il Ruzante
Angelo Beolco detto il Ruzante by Amleto Sartori, 1958
Piazzetta Lucia Valentini Terrani
Padua, May 2025
“Angelo Beolco (c. 1496 – March 17, 1542), better known by the nickname Ruzzante or Ruzante, was a Venetian (Paduan) actor and playwright. He is famous for his rustic comedies, written mostly in the Paduan variety of the Venetian language, featuring a peasant called ‘Ruzzante’. Those plays paint a vivid picture of Paduan country life in the 16th century. Born in Padua, Beolco was the illegitimate son of Giovan Francesco Beolco, a physician who occasionally worked at the University, and a certain Maria, possibly a maid. (It has been suggested, however, that his real name was Ruzzante, and that Beolco was a local corruption of bifolco, meaning ‘ploughman’ — by extension, ‘country simpleton’.) Some claim that he was born in Pernumia, a small town near Padua. Angelo was raised in his father's household and there he received a good education. After Giovan Francesco's death in 1524, Angelo became manager of the family's estate, and later (1529) also of the farm of Alvise Cornaro, a nobleman who had retired to the Paduan countryside and who became his friend and protector. He developed his theatrical vocation by associating with contemporary Padua intellectuals, such as Pietro Bembo and Sperone Speroni. His first stints as an author and actor may have been mariazi, impromptu sketches delivered at marriage parties. In 1520, already known as il Ruzzante, he played a role in a peasant play at the Foscari Palace in Venice. Soon afterwards he put together his own theater troupe. His plays were staged first at Ferrara (1529–1532) and then at Padua, in Cornaro's residence. He died in Padua in 1542, while preparing to stage Speroni's play Canace, for the Accademia degli Infiammati. In spite of his success as an actor, he was very poor through most of his life. His friend Speroni remarked that while Angelo had unsurpassed understanding of comedy, he was unable to perceive his own tragedy.” (Angelo Beolco, Wikipedia)
Sunday, November 8, 2026
Antiguo Casino de Toledo
Antiguo Casino de Toledo (Former Casino of Toledo)
Plaza de la Magdalena
Toledo, September 2022
“The building of the former Casino of Toledo (Spain), whose real name corresponds to the one of Center of Artists and Industrialists, belongs to the trend of Eclecticism that develops In Europe in the 19th century. The architect, Felipe Trigo, mixed elements of the Renaissance, in the configuration and planning of the facade, and Mudéjar, in the use of the brick. The building, whose plant is a quadrilateral, has four floors and a tower; the latter form chamfered corner and houses the main entrance. The materials used in the exterior are very different. Granite has been used in plinth, portal, corners and decorative elements; brick in holes, trim and turret, and masonry in the canvases. Two construction zones can be differentiated, considering the time in which they were erected. The oldest dating from the 1920s and the most recent was built in the 1960s.” (Former Casino of Toledo, Wikipedia)
Saturday, November 7, 2026
Minerva of Arezzo
‘Minerva of Arezzo’
National Archaeological Museum
Piazza Santissima Annunziata
Florence, January 2025
“The Minerva of Arezzo was found in 1541 in Arezzo, during excavations for a well near the church of San Lorenzo; other excavations in that same area carried out at the beginning of our century have produced notable remains of a large Roman house. The circumstances of the discovery are little known, and the monument's original state of preservation is unclear. Initial restorations in bronze, plaster, and wood may have been carried out as early as the 16th century, likely more philologically accurate than the current ones, which were carried out in the 18th century.” (Minerva di Arezzo, Wikipedia)
Friday, November 6, 2026
Las Ventas
Plaza de Toros de Las Ventas by José Espeliú, 1931
Calle Alcalá, Salamanca
Madrid, September 2022
“The Plaza de Toros de Las Ventas, known simply as Las Ventas, is the largest bullfighting ring in Spain, located in the Guindalera quarter of the Salamanca district of Madrid. It was inaugurated on June 17, 1931. Its seating capacity of 23,798, makes it the third-largest bullfighting ring in the world, after bullrings in Mexico and Venezuela. After the federal ban of bulfighting in Plaza México, Las Ventas is the second largest bullring in the world still in operation for its original intention. This bullring was designed by the architect José Espeliú in the Neo-Mudéjar (Moorish) style with ceramic incrustations. The seats are situated in ten ‘tendidos’. The price of the seats depends upon how close they are to the arena and whether they are in the sun or the shade (the latter being more expensive). The bullfighting season starts in March and ends in October; bullfights are held every day during the San Isidro Fiesta, and every Sunday or holiday during the season. Bullfights start at 6 or 7pm and last for two to three hours.” (Las Ventas, Wikipedia)
Thursday, November 5, 2026
San Zeno in Oratorio
Church of San Zeno in Oratorio (San Zenetto)
Via San Zeno in Oratorio
Verona, May 2025
“The church of San Zeno in Oratorio, also known as the church of San Zenetto, is a Catholic place of worship located in the San Zeno district of Verona, a few steps from Castelvecchio; it is part of the diocese of Verona. This name was only adopted starting from the 16th century, while previously the church was called ‘San Zeno Oratore’ or ‘San Zeno Orante’, as it traditionally stands in the favourite place of San Zeno, who retreated there to pray and fish sitting on a large rock. The church was built near what had been considered a very important suburban road since ancient times, the Via Gallica to Brescia, not far from the point where it separated from the Via Postumia. The road to Brescia assumed even greater importance in the imperial age and in late antiquity, as a section of the route that led from Milan to Aquileia; the persistence of this route, on which the church overlooked, is also documented in the Middle Ages, when the small building was built. Furthermore, between the 1st and 4th centuries, a vast necropolis was active in this area, so much so that during some archaeological excavations around eighty tombs were discovered, a fact that explains the presence of several Roman artefacts reused inside the small church.” (Chiesa di San Zeno in Oratorio, Wikipedia)
Wednesday, November 4, 2026
Casa de Sefarad
Casa de Sefarad
Calle Judios
Córdoba, September 2022
“The House of Sepharad - House of Memories, is a cultural centre situated right in the heart of the Jewish Quarter of Cordoba. There are permanent exhibitions and cultural activities aimed at arousing interest in this forgotten heritage and recovering memories of a tradition which is an essential part of our cultural identity: the Sepharad, or Hispano-Jewish tradition. The permanent exhibition, Memories of the Sepharad, is divided into nine thematic rooms, displaying: Sala de la Diáspora, Sala de la Sinagoga, Sala del Judeoespañol, Sala de Maimónides, Sala de la Inquisición, Sala de la vida doméstica, Sala de Mujeres & Sefarad, Sala de los ciclos festivos and Sala de la música sefardí.”(Casa de Sefarad, Turismo de Córdoba)
Tuesday, November 3, 2026
Monumento a Vittorio Emanuele II
Monumento a Vittorio Emanuele II by Augusto Benvenuti, 1880
Piazza del Duomo
Vicenza, May 2025
“The monument to Vittorio Emanuele II is located in Vicenza, in Piazza Duomo. It was inaugurated on 18 November 1880 (14th anniversary of the decoration of the flag of Vicenza, awarded the gold medal for military valour for the events of 1848, by the sovereign). The work is by the Venetian sculptor Augusto Benvenuti. At the inauguration ceremony, in addition to the city and provincial authorities, there were also Prince Amedeo, son of the late sovereign and the then Minister of Public Works, Alfredo Baccarini. The monument depicts Vittorio Emanuele II in military uniform in the act of placing his helmet with his right hand on a fragment of Roman architecture on which the motto SPQR is carved. On the pedestal of the monument rests (sitting) another statue depicting the City of Vicenza who with his right hand holds the coat of arms of the City and with the other supports the flag of the Municipality which was decorated for military valour by Vittorio Emanuele II himself.” (Monumento a Vittorio Emanuele II, Wikipedia)
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