Saturday, June 20, 2026

Parco Querini

Parco Querini, Viale Rumor, Vicenza

Parco Querini
Viale Rumor
Vicenza, May 2025

“Querini Park is one of the main green lungs of the city of Vicenza. Located in the historic center, it is characterized by vast expanses of lawns, bordered by a large wood full of plants and has an extension of approximately 12 hectares. Querini Park is located in the north-eastern sector of the historic center, surrounded on two sides by the banks of the Bacchiglione river and its tributary Astichello , and on the third side by the line of the Venetian walls, along today's Viale Rodolfi. From the back of Palazzo Querini, a majestic tree-lined avenue branches off, flanked by classical statues, which runs lengthwise through the park until it reaches the pond surrounding a small island (not accessible to the public despite the pedestrian bridge), surmounted by a small temple.” (Parco Querini, Wikipedia)

Friday, June 19, 2026

Museo Sorolla

Museo Sorolla, Paseo del General Martínez Campos, Chamberí, Madrid

Museo Sorolla
Paseo del General Martínez Campos, Chamberí
Madrid, September 2025

“The Sorolla Museum (Spanish: Museo Sorolla) is a single-artist museum in Madrid, Spain, devoted to the work and life of Joaquín Sorolla and the members of his family, such as his daughter Elena. The museum is located in the house that was the artist's home and workshop, which was converted into a museum after the death of his widow. It is one of the National Museums of Spain and it is attached to the Ministry of Culture. The building was designed by Enrique María Repullés. The principal rooms continue to be furnished as they were during the artist's life, including Sorolla's large, well-lit studio, where the walls are filled with his canvasses. Other rooms are used as galleries to display Sorolla's paintings, while the upstairs rooms are a gallery for temporary exhibitions. In 2014, these rooms presented an exhibition of David Palacin photographs of the ballet Sorolla produced by the Spanish National Dance Company.” (Sorolla Museum, Wikipedia)

Thursday, June 18, 2026

Loggia del Consiglio

Loggia del Consiglio (Lodge of Council or of Gran Guardia), Piazza dei Signori, Padua

Loggia del Consiglio (Lodge of Council or of Gran Guardia)
Piazza dei Signori
Padua, May 2025

"The Loggia del Consiglio, also known as the Loggia della Gran Guardia, is a Renaissance building overlooking Piazza dei Signori in Padua. It was built starting in 1491 as the seat of the Gran Consiglio. It was built on a project presented by Annibale Maggi and the construction was completed in 1536, according to some studies, under the direction of Giovanni Maria Falconetto. The upper hall was frescoed in 1667 by Pier Antonio Torri. During the Austrian domination it became the seat of the ‘Gran Guardia’, the military command of the city.” (Loggia del Consiglio, Wikipedia)

Wednesday, June 17, 2026

San Juan de los Caballeros

Iglesia de San Juan de los Caballeros (Museo Zuloaga), Plaza de Colmenares, Segovia

Iglesia de San Juan de los Caballeros (Museo Zuloaga)
Plaza de Colmenares
Segovia, September 2025

“The church of San Juan de los Caballeros is a building in the Spanish city of Segovia. Once a Catholic church, it now houses the Zuloaga Museum. The Romanesque style church of San Juan de los Caballeros is located in the Plaza de Colmenares in the city of Segovia. It was owned by Daniel Zuloaga, who used it as an artist's studio.” (Iglesia de San Juan de los Caballeros, Wikipedia)

Tuesday, June 16, 2026

Casa-galleria Vichi

Casa-galleria Vichi by Giovanni Michelazzi, Via Borgo Ognissanti, Florence

Casa-galleria Vichi by Giovanni Michelazzi, 1911
Via Borgo Ognissanti
Florence, January 2025

“The Casa-galleria Vichi (Vichi house-gallery) is an Art Nouveau building in Florence, located in via Borgo Ognissanti, a few steps from the church of Ognissanti. The house was built according to a design by the architect Giovanni Michelazzi on commission from Argia Marinai nei Vichi and is, in addition to the most representative work of this architect, one of the few Liberty style buildings in the centre of Florence, certainly the most representative for the programmatic desire to adhere to the new style, proposed in a very personal way and without any compromise with local tradition. Since it appears to have been registered in the Old Urban Cadastre in 1913, it can be considered completed in 1911: in the years 1913-1914 Michelazzi himself lived there and probably also set up his studio there. In 2009, given the precarious state of conservation of the façade and its evident value, both for the overall design (the building has been subject to architectural constraints since 1965) and for the quality of the fake travertine (of extraordinary chromatic and material verisimilitude as can be seen by comparing it with that of the nearby church of Ognissanti), the front was subjected to careful restoration based on the design and direction of the works by the architect Renzo Funaro and the high supervision of the competent Superintendency (architect Lia Pescatori). Restorer Francesca Piccolino Boniforti worked on the artificial stone elements.” (Casa-galleria Vichi, Wikipedia)

Monday, June 15, 2026

Convento de San Esteban

Convento de San Esteban, Plaza del Concilio de Trento, Salamanca

Convento de San Esteban
Plaza del Concilio de Trento
Salamanca, September 2025

“The Convento de San Esteban is a Dominican monastery of Plateresque style, situated in the Plaza del Concilio de Trento (Square of the Council of Trent) in Salamanca, Castile and León, Spain. The Dominicans settled in Salamanca between 1255 and 1256. On the present site of the convent, occupied by the parish church of San Esteban, they built the primitive convent, later destroyed to build the present one, in 1524 on the initiative of Cardinal Friar Juan Álvarez de Toledo. Its construction lasted until 1610, with the participation of Friar Martín de Santiago, Rodrigo Gil de Hontañón, Juan Ribero de Rada and Pedro Gutiérrez. However, the plan and design are by Juan de Álava, who began the work in 1524, as evidenced by the preserved plan of this same master. Rodrigo Gil de Hontañón was in charge of the transept with the dome and the chancel. Although it is considered an excellent example of the Plateresque style, the length of its construction phases explains the mixture of styles ranging from the final Gothic to the Baroque, a style that is not very noticeable in its architecture but is well present in the main altarpiece by José Benito de Churriguera.” (Convento de San Esteban, Wikipedia)

Sunday, June 14, 2026

Porta Leoni

Porta Leoni (Gate of the Lions), Via Leoni, Verona

Porta Leoni (Gate of the Lions)
Via Leoni
Verona, May 2025

“Porta Leoni (Gate of the Lions) is an ancient Roman gate in Verona, northern Italy. The gate was built during the Roman Republic by P. Valerius, Q. Caecilius, Q. Servilius and P. Cornelius, and restructured in imperial times. It was connected to the road which led to Bologna and Aquileia. The original Roman name is unknown. During the Middle Ages it was called Porta San Fermo, due to the nearby church, while in the Renaissance it was known as ‘Arco di Valerio’. The current name derives from a Roman tomb decorated with two lions (Italian: leoni), now moved near Ponte Navi. The gate has a square structures, with a double façade and two towers which looked towards the countryside. Now only half of the inner façade, covered with white stone in the imperial age, and the foundings are visible. The original decorations are all lost. The lower part is similar to that of Porta Borsari (also in Verona), while the upper part has an exedra with twisted columns.” (Porta Leoni, Wikipedia)