Tuesday, December 12, 2017

The Dome

Millennium Dome by Richard Rogers, 1999
Millennium Way, North Greenwich
London, September 2014

“The Millennium Dome, also referred to simply as The Dome, is the original name of a large dome-shaped building, originally used to house the Millennium Experience, a major exhibition celebrating the beginning of the third millennium of the Common Era. Located on the Greenwich Peninsula in South East London, England, the exhibition was open to the public from 1 January to 31 December 2000. The project and exhibition was the subject of considerable political controversy as it failed to attract the number of visitors anticipated, with recurring financial problems. All of the original exhibition and associated complex has since been demolished. The dome still exists, however, and it is now a key exterior feature of The O2. The Prime Meridian passes the western edge of the Dome and the nearest London Underground station is North Greenwich on the Jubilee line.” (Millennium Dome, Wikipedia)


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Monday, December 11, 2017

Rearing Horse

Grande Cavallo Impennato” (Rearing Horse) by Aligi Sassu, Via Brera, Milano,
“Grande Cavallo Impennato” (Rearing Horse) by Aligi Sassu, 1969
Via Brera
Milano, November 2016

“Located in Via Brera in the very center of Milan, in front of the Accademia di Brera and its Pinacoteca as well as the house where the artist lived for a long time, this large work manifests the component of myth which Sassu manages to bestow on sculpture when he moves out of the field of ceramics or small sculptures, which are characterized by more refined, precious effects and a lyrical tone. Two of the five versions of this work are in the garden of the Confcommercio building in Milan and in Piazza della Repubblica in the Republic of San Marino.” (Large Rearing Horse, Aligi Sassu)


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Sunday, December 10, 2017

Palác Adria

Palác Adria (Adria Palace) by Josef Zasche and Pavel Janák, Jungmannova / Národní, Nové Město, Prague
Palác Adria (Adria Palace) by Josef Zasche and Pavel Janák, 1926
Jungmannova / Národní, Nové Město
Prague, September 2017

“This Rondocubist palace with rich sculptural decoration was built from 1923–1924 at the corner of Národní Avenue and Jungmannova Street. The gallery is located on the building's first floor, and its exhibitions are prepared by the Association of Art Critics and Theorists (Sdružení výtvarných kritiků a teoretiků). In addition to exhibitions, it also holds lectures, discussions and other events relating to contemporary art.” (Critics’ Gallery – Adria Palace, Prague.eu)


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Saturday, December 9, 2017

Red Car & Flowers

Shutter by Joel Arroyo, Vila de Gràcia, Barcelona
Shutter by Joel Arroyo (@lupanarlunar)
Vila de Gràcia
Barcelona, March 2017


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Friday, December 8, 2017

Piazzale degli Uffizi

Piazzale degli Uffizi
Florence, April 2017


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Thursday, December 7, 2017

Schöner Náci

Schöner Náci (Lamár Ignác) by Juraj Meliš, Café Mayer, Hlavné námestie, Staré Mesto, Bratislava
Schöner Náci (Lamár Ignác) by Juraj Meliš, 1997
Café Mayer, Hlavné námestie, Staré Mesto
Bratislava, September 2017

“Schöner Náci or Schöne Náci (real name Ignác Lamár, Hungarian: Lamár Ignác) was a renowned Bratislava character (German: Stadtoriginal) of the mid-20th century. He was born in Petržalka on 11 August 1897 (then Hungary), and died of tuberculosis in Lehnice on October 23, 1967 (then Czechoslovakia). He was originally buried in Lehnice, but his remains were reburied in Bratislava's Ondrejský cemetery on September 2, 2007. Schöner Náci was the son of a shoemaker and grandson of a famous clown, also Ignác Lamár, and was inspired by the latter's example to bring happiness to the streets of the city. He walked around the Old Town and in particular the stretch from Michael's Gate to the river, in top hat and tails, greeting women with the words, ‘I kiss your hand’ in German, Hungarian and Slovak. He received free food from several of the city’s cafes, and supported himself with occasional cleaning work.” (Schöner Náci, Wikipedia)


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Wednesday, December 6, 2017

Priapus

Herma of Priapus, by Alexander Stoddart, Vincent Square, Pimlico, London
Herma of “Priapus” by Alexander Stoddart, 2007
Vincent Square, Pimlico
London, September 2014

“Stoddart's practice of encoding classical references in his sculpture is shown in the herm of Priapus that was installed in Vincent Square, London, last summer. Priapus, the Greek fertility god, is shown in rustic mode, ‘as though he was appearing on Gardeners' Question Time’. One hand carries a pair of shears, in acknowledgement of the nearby Royal Horticultural Society. There is a learned inscription about shepherds, the gist of which is that the modern world has gone to pot. Further evidence comes from a drawer in Stoddart's study. From it he produces a phallus. This should have been attached to the herm, as it would have been in the Classical era, but Stoddart, anticipating objections by the planners, did not think he could get away with it. ‘Girls go around half-naked, there is lewdness and innuendo everywhere, children dress like prostitutes to go to school,’ he fulminates, ‘but you can't show Priapus with a phallus.’” (Alexander Stoddart: talking statues, The Telegraph)


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