Wednesday, February 11, 2026

Dívka s amforou

Dívka s amforou (Girl with an amphora) by Jaroslav Horejc, Nosticova zahrada, Maltézské náměstí, Prague

“Dívka s amforou” (Girl with an amphora) by Jaroslav Horejc, 1956
Nosticova zahrada (Nostic Garden)
Maltézské náměstí, Malá Strana
Prague, September 2024

“The ‘Girl with an amphora’ is a white marble sculpture in the exterior of the Nostic Garden, near the Čertovka canal in Lesser Town of Prague. It is a nude of a half-naked slender girl sitting on a stone and holding an amphora on her right shoulder. The author of the work in the Art Deco style is the Czech Prague academic sculptor Jaroslav Horejc (1886–1983). The sculpture is placed on a low sandstone block plinth. The work is in the care of the Gallery of the City of Prague. The first version of the work was created in 1938 and was made of plaster. Later, the author also created a bronze work and finally, in 1956, a marble version of the work was created. In 1980 or 1983, the work was placed in the Nostic Garden. In 2002, the work was restored.” (Dívka s amforou, Wikipedia)

Tuesday, February 10, 2026

San Bartolomeo a Ripoli

Abbey of San Bartolomeo a Ripoli, Via di Ripoli, Florence

Abbey of San Bartolomeo a Ripoli
Via di Ripoli
Florence, December 2024

"The Abbey of San Bartolomeo a Ripoli is located in the locality of Badia a Ripoli, in the municipality of Florence. ‘Badia’ is a popular contraction of the word abbey. In Florence and its surroundings there have existed five abbeys, located as if at the cardinal points of the city: to the north the Badia Fiesolana, to the west the Badia a Settimo, to the south the Abbey of San Miniato, to the east the Badia a Ripoli and in the centre the Badia fiorentina." (Abbey of San Bartolomeo a Ripoli, Wikipedia)

Monday, February 9, 2026

Edith Stein Memorial

Edith Stein Memorial by sculptor Bert Gerresheim, Börsenplatz, Cologne

Edith Stein Memorial by sculptor Bert Gerresheim, 1999
Börsenplatz
Cologne, September 2024

“The memorial was created in 1999 by sculptor Bert Gerresheim and shows the different phases of Edith Stein's life: as a Jewish girl with the Star of David, as a philosopher searching for the truth and as a baptised Carmelite following Christ. Edith Stein's personal ordeal is depicted by the numerous shoe prints, shoes and concentration camp numbers, which also represent the countless people murdered in the concentration camps. Edith Stein was born on 12 October 1891 to Jewish parents in Breslau. Among other things, she studied philosophy, converted to Catholicism and worked as a teacher until she was banned from her profession. In 1933, she joined the Carmelite Order in Cologne and took the name Theresia Benedicta a Cruce. Due to her origins and her commitment against the persecution of Jewish citizens, she had to flee from the National Socialists to the Netherlands. Edith Stein and her sister Rosa Stein were arrested by the Gestapo and deported to Auschwitz, where they were murdered in the gas chamber on 9 August 1942. Edith Stein's willingness to make sacrifices for the Jewish people and the Catholic faith prompted Pope John Paul II to beatify her in Cologne on 1 May 1987. The canonisation then took place on 11 October 1998 in Rome.” (Edith Stein Memorial, Cologne Tourist Board)

Sunday, February 8, 2026

Torre del Gardello

Torre del Gardello, Piazza delle Erbe, Verona

Torre del Gardello
Piazza delle Erbe
Verona, May 2025

“The Gardello Tower is a medieval structure located in Verona, near the central Piazza delle Erbe. At the point where the Gardello tower stands, there was previously a tower house, most likely belonging to the Gardello family, from which it would have inherited its name. This tower was restored and raised in 1370 by Cansignorio della Scala, perhaps to a design by Giovanni da Ferrara or his son; the Scaliger prince had it erected, together with the bell clock that was installed there, to promote the prestige of the family and the city. With this intervention the building assumed its substantially definitive appearance, even if it underwent further work in 1626, when the structure was slightly raised by the construction of a truncated cone roof, which gave it its final height of 44 metres.” (Torre del Gardello, Wikipedia)

Saturday, February 7, 2026

Heine-Denkmal

Heine-Denkmal (Heine Monument) by Georg Kolbe, Friedberger Anlage, Frankfurt

Heine-Denkmal (Heine Monument) by Georg Kolbe, 1913
Friedberger Anlage
Frankfurt, September 2024

“The Heinrich Heine Memorial in the Wallanlagen park of Frankfurt am Main, built in 1913, is the first and only representative monument to the poet Heinrich Heine, who died in 1856 , in Germany. It was erected with the help of public funds and survived both the terror of the Nazi era and the Second World War largely unscathed. The bronze sculpture of a striding young man and a young woman seated at his feet, created by the sculptor Georg Kolbe, is an allegory of the youthfulness and lightness of Heine's poetry. The group of figures, a typical work of Art Nouveau, stands on a shell limestone base, to which a bronze relief, also designed by Kolbe, depicts the poet's profile and name.” (Heinrich-Heine-Denkmal, Wikipedia)

Friday, February 6, 2026

Torre Bissara

Torre Bissara, Piazza dei Signori, Vicenza

Torre Bissara
Piazza dei Signori
Vicenza, May 2025

“Torre Bissara is a tower in Piazza dei Signori, Vicenza, Italy. Bissara Tower is a civic tower that overlooks Piazza dei Signori, alongside the famous Basilica Palladiana. At 82 meters high, it is one of the tallest buildings in Vicenza. The earliest records date back to 1174 when the tower was built at the behest of the family Bissari, next to their palazzo. Between 1211 and 1229 the municipality of Vicenza bought both the building (with the intention of turning it into the mayor's office) and the tower. The tower was not damaged in the terrible earthquake of January 25, 1347. In the mid- fifteenth century the tower was raised to the present height. The relics of saints and five bells were placed inside. Over the centuries, many interventions were done to maintain the stability and beauty of the tower. The history of the city is described in its stones: on top there is a headless statue of the goddess Athena from the Roman era; almost at the top there is the marble bas-relief of the Lion of Saint Mark, symbol of the Serenissima; at the base is a triumphal arch with the war memoria. On 18 March 1945, the tower (along with the Palladian Basilica) was hit in an Anglo-American bombing raid. The top of the tower caught fire and the dome collapsed to the ground: the tower was severed. The bells also had fallen off, destroying the pavement of the square. Together with the Basilica, in the years after the tower was rebuilt, not without controversy concerning the form, in part different from the original. Not all of the bells were also relocated, nor the ball indicating the moon's phases (which was placed under the clock).” (Torre Bissara, Wikipedia)

Thursday, February 5, 2026

Löwenbrunnen

Löwenbrunnen (Lions Fountain), Naschmarkt, Leipzig

Löwenbrunnen (Lions Fountain)
Naschmarkt
Leipzig, September 2024

“The Löwenbrunnen (Lions Fountain) located on the Naschmarkt opposite the main entrance of the Mädler Passage dates back to 1918. Several previous fountains had existed on the same site since 1690. The first fountain is known to have been surrounded by three steps and decorated with mythical maritime creatures and sandstone reliefs. Atop the painted copper cap was a pyramid crowned by a golden sun. Around 1820, the two iron lions and the pump handles, which still exist today, were cast in Lauchhammer according to designs by the Berlin sculptor Johann Gottfried Schadow. Their arrangement was adopted in 1918, when the Löwenbrunnen received its present appearance according to plans by Leipzig's chief building inspector Hugo Licht. This is commemorated in gold-colored capital letters on the back of the fountain: ‘In the last year of the war, 1918, this fountain was rebuilt by the council in its original form with its wooden casing by the architect Dr. Ing. Hugo Licht. The funds for this were donated by Commercial Councillor Hugo Haschke’.” (Fountain in Leipzig, Wikipedia)

Wednesday, February 4, 2026

Torre di Ezzelino

Torre di Ezzelino (Ezzelino Tower), Via Petrarca, Padua

Torre di Ezzelino (Ezzelino Tower)
Via Petrarca
Padua, May 2025

“Known as the ‘Torre di Ezzelino’ (Ezzelino Tower), the building is located on the corner between Via Petrarca and Via Savonarola, near the Ponte Molino. The architectural elements of the first phase allow us to date its construction to the 13th century. It is more difficult to link it to the figure of Ezzelino even if numerous references in written sources refer to the tyrant's relationship with this district of the city.” (Torre di Ezzelino, ARMEP)

Tuesday, February 3, 2026

Erich-Kästner-Denkmal

Erich-Kästner-Denkmal (Erich Kästner Memorial) by Wolf-Eike Kuntsche, Albertplatz, Dresden

Erich-Kästner-Denkmal (Erich Kästner Memorial) by Wolf-Eike Kuntsche, 1987
Albertplatz
Dresden, September 2024

“This memorial is dedicated to the Dresden writer Erich Kästner. A collage of the things that characterized him, it is intended to bring the viewer closer to the man behind the nationally renowned author. Several of his books are stacked in a tower, with Kästner's hat on top. Surrounding the tower are writing utensils, a teacup, a copy of the Neue Zeitung newspaper, founded by Kästner in Munich in 1945, and an open book with the author's biographical details and the motto "There is nothing good unless you do it." A biographical and literary connection to the site is created by a block bearing the words "And I myself, whatever I became, always remained one, a child of Königsbrücker Straße" (1977) and a framed childhood picture as a reference to Kästner's Dresden childhood, which he documented in "When I was a little boy" (1957). The sculpture was created in 1987, before the establishment of the Kästner Museum (1999), and can be considered the first memorial to Erich Kästner in Dresden.” (Erich-Kästner-Denkmal, Staatliche Kunstsammlungen Dresden)

Monday, February 2, 2026

The Fantomatik Orchestra

The Fantomatik Orchestra, Via Palazzuolo, Florence

The Fantomatik Orchestra
Via Palazzuolo
Florence, December 2024

“The Fantomatik Orchestra is a musical project born in Tuscany in 1993 as a funky, soul and rhythm'n'blues group, with ethnic, pop and dance influences. In 2001 the band took an important turn: the stage group became a marching band, in the style of American street bands. The band, composed of more than 14 musicians, immediately managed to impose itself on public attention also thanks to the choice to constantly renew its repertoire by seeking new sounds and new ideas. Over the years the Fantomatik Orchestra has played on the streets and on the stages of many Italian and international capitals; it has introduced concerts of great artists, has participated in broadcasts, theatrical and cinematographic events, developing an original identity, which makes it resemble neither the traditional village band, nor the classic street band or American marching band.” (The Fantomatik Orchestra)

Sunday, February 1, 2026

Svatý Václav

Svatý Václav (Saint Wenceslas) by Vincenc Vosmík, Ke Hradu, Malá Strana, Prague

Svatý Václav (Saint Wenceslas) by Vincenc Vosmík, 1906
Ke Hradu, Malá Strana
Prague, September 2024

“Wenceslaus I (Czech: Václav; c. 907 – 28 September 935), Wenceslas I or Václav the Good was the Prince (kníže) of Bohemia from 921 until his death, probably in 935. According to the legend, he was assassinated by his younger brother, Boleslaus the Cruel. His martyrdom and the popularity of several biographies gave rise to a reputation for heroic virtue that resulted in his sainthood. He was posthumously declared to be a king and patron saint of the Czech state. He is the subject of the well-known ‘Good King Wenceslas’ , a carol for Saint Stephen's Day.” (Wenceslaus I, Duke of Bohemia, Wikipedia)

Saturday, January 31, 2026

The Whale Rib

The Whale Rib, Arco della Costa, Verona

The Whale Rib
Arco della Costa
Verona, May 2025

“Verona, the city of Romeo and Juliet, is mysteriously home to a centuries-old whalebone. The trouble is, Verona is located about 75 miles (120 km) from the sea, and no one is quite sure how it got there. The bone, believed to be a rib, hangs in the center of the medieval Arco della Costa (Arch of the Rib), the entry point between Verona's Piazza Erbe and Piazza dei Signori. It's been hanging there, suspended from an iron chain, since at least the 1700s, though some estimates suggest much longer, possibly since the 15th century. In the Middle Ages and Renaissance era, the walkway above the arch provided a safe passage for judges and magistrates between the city hall and their living quarters, so that they needn't associate with the common or ‘corrupt’ people below. This may be the ironic origin of the myth of the whalebone's magic: It's claimed that it will fall on the first innocent or truthful person to walk under the archway.” (Whale Bone of Arco della Costa, Atlas Obscura)

Friday, January 30, 2026

DuMont-Brunnen

DuMont-Brunnen ‘Zeitungsbrunnen’, DuMont Fountain (Newspaper Fountain) by Theo Heiermann, Hanns-Hartmann-Platz, Cologne

DuMont-Brunnen ‘Zeitungsbrunnen’
DuMont Fountain (Newspaper Fountain) by Theo Heiermann, 1986
Hanns-Hartmann-Platz
Cologne, September 2024

“The DuMont fountain was erected in 1986 on Breite Straße at Hanns-Hartmann-Platz by Theo Heiermann in bronze and granite. It was sponsored by the publishing house DuMont donated on the occasion of its 100th anniversary. The fountain reflects motifs from the newspaper world: a street vendor, a reader engrossed in reading, and a girl folding a hat from a newspaper. Next to it, a sculpture of the founder and publisher of the Kölnische Zeitung Marcus DuMont (1784-1831) to the newspaper house. The sculptor himself has immortalized himself in a very Cologne way: At the edge of the fountain he has placed a 5-mark piece, a ‘Heiermann’, in the mosaic of a hand.” (DuMont Fountain, Stadt Köln)

Thursday, January 29, 2026

Palazzo Porto in Piazza Castello

Palazzo Porto in Piazza Castello, Piazza Castello, Vicenza

Palazzo Porto in Piazza Castello
Piazza Castello
Vicenza, May 2025

“The Palazzo Porto is a palace in Piazza Castello, Vicenza, northern Italy. It is one of two palazzi in the city designed by Andrea Palladio for members of the Porto family (the other is Palazzo Porto, for Iseppo Porto, in contrà Porti). Only two bays of it were ever built, beginning shortly after 1571. Why the patron, Alessandro Porto, did not continue with the project is not known. For completing the scheme, which was probably intended to have been seven bays wide, the Porto family's 15th-century case, still standing to the left of the great architectural torso, would have been incrementally demolished. The structure was completed after Palladio's death by Vincenzo Scamozzi. The project seems to have been initiated immediately following the publication in 1570 of Palladio's I quattro libri dell'architettura, in which its design does not appear.” (Palazzo Porto in Piazza Castello, Wikipedia)

Wednesday, January 28, 2026

Minerva-Brunnen

Minerva-Brunnen (Minerva Fountain) by Friedrich Schierholz, (1983 copy from the original, destroyed in 1944), Römerberg, Altstadt, Frankfurt

Minerva-Brunnen (Minerva Fountain) by Friedrich Schierholz, 1894
(1983 copy from the original, destroyed in 1944)
Römerberg, Altstadt
Frankfurt, September 2024

“The eastern part of the Römerberg is also called ‘Samstagsberg’ (Saturday Hill) because, in the 15th century, public court was held here every Saturday in the open air. Later, weekly markets were also held regularly at this location. In 1481, the first open well was built here. Its early existence is documented by a document relating to the house Zum Ullner. In 1750, the fountain was converted into a pump well, and the old well trough was replaced with a smaller one. Further changes took place in 1893/1894. Since then, the figure of the goddess Minerva has stood on the cornice of the fountain. She is considered a symbol of wisdom, warfare, the arts, and crafts. The sculptor Friedrich Schierholz created the design but was never able to complete the work. The sculptor Fritz Klimsch completed the figure and fountain. The figure of Minerva gives the fountain its current name. On her head, she wears a helmet, holds a spear in her left hand, and a shield in her right. The shield depicts the severed head of Medusa. Rococo reliefs adorn all four sides of the pillar. An inscription on the back reads: ‘Renovated 1887’. The Minerva Fountain was destroyed in the war in 1944 and removed from the Römerberg in 1951. A largely historically accurate replica was reinstalled in 1983.” (Minerva-Brunnen, Kunst im öffentlichen Raum Frankfurt)

Tuesday, January 27, 2026

Casa della Dogana

Casa della Dogana (Customs House), Via Euganea, Padua

Casa della Dogana (Customs House)
Via Euganea
Padua, May 2025

“Considered one of the most beautiful Romanesque houses in Padua, the so-called Palazzo della Dogana has been fully recovered through careful restoration. Built in 1294 near the medieval gate of San Giovanni delle Navi, under the podestà Nicolo Morosini, the Casa della Dogana had the important function of controlling traffic coming from Monselice. The building, which falls within the 13th-century typology of porticoed houses, is attributed to the architect Leonardo Zise Bocaleca from Monselice, who was also active at the time for the Municipality and for the Basilica Antoniana, who took inspiration, in the high portico, from the 13th-century structure of the Palazzo della Ragione. During the restoration of 1611, documented by the date inscribed on a window, the original mezzanine with wooden floors was replaced by a brick structure supported by a portico with lowered arches. Among the single-lancet windows on the first floor, an elegant double-lancet window stands out, closed by a relieving arch and decorated with a perforated pattern of small diamonds on the lintel. The motif, derived from the Tomb of Antenor, also by Bocaleca, is present in various private buildings from the second half of the thirteenth century. The façade towards Riviera San Benedetto is enriched by the coat of arms of the Municipality of Padua and that of the mayor Morosini.” (Casa della Dogana, ZonzoFox)

Monday, January 26, 2026

Leibniz-Denkmal

Gottfried Wilhelm Leibniz by Ernst Hähnel, Leibnizforum, Universitätstraße, Leipzig

Gottfried Wilhelm Leibniz by Ernst Hähnel, 1883
Leibnizforum, Universitätstraße
Leipzig, September 2024

“The Leibniz Monument in the courtyard of the new campus of the University of Leipzig (Leibniz Forum) honors the mathematician, philosopher, physicist, politician, and diplomat Gottfried Wilhelm Leibniz (1646–1716), who was born in Leipzig on July 6, 1646, and studied at the university there. He is considered the polymath of his time, one of the most important philosophers of the 17th and 18th centuries, and an important pioneer of the Enlightenment . Leibniz stands as a larger-than-life bronze statue on a square, bronze pedestal. The base of the monument is made of granite. Although only associated with Leipzig as a young man, in contrast to Goethe's monument on the Naschmarkt, Leibniz is not depicted as a youth, but as a mature man in the costume of his time as a ‘Prince of Science’ who strove to unite theory and practice in all scientific fields. On his right, he leans on a globe as a symbol of power and holds an open book as a scholarly characteristic, which characterizes his historical scope of action.” (Leibniz Monument, Wikipedia)

Sunday, January 25, 2026

Lungarno delle Grazie

Reflection with a yellow buoy, Lungarno delle Grazie, Florence

Reflection with a yellow buoy
Lungarno delle Grazie
Florence, December 2024

“The Lungarno delle Grazie is that stretch of the northern bank of the Florentine Lungarni that goes from the National Central Library of Florence (Piazza dei Cavalleggeri, near the Canto dei Tardiboni) to the Ponte alle Grazie, from which it takes its name, on the corner of Via de' Benci and the Lungarno Diaz. The Volta dei Tintori is inserted along the route. The name is linked to the nearby presence of the oratory of Santa Maria delle Grazie, today on the Lungarno del Generale Armando Diaz, but once placed on one of the pine cones of the bridge of the same name (to preserve a miraculous image of the Madonna), and destroyed in 1876 to widen the roadway and allow the tram line to pass through.” (Lungarno delle Grazie, Wikipedia)

Saturday, January 24, 2026

Artesischer Brunnen

Artesischer Brunnen (Artesian well) by Hans Erlwein, Albertplatz, Dresden

Artesischer Brunnen (Artesian well) by Hans Erlwein, 1906 Albertplatz
Dresden, September 2024

“The artesian well at Dresden's Albertplatz is a spatially separated fountain ensemble consisting of a well house, a drinking fountain, and a fountain with a water basin. The artesian well was drilled northwest of Albertplatz by Freiberg miners between 1832 and 1836 to supply Dresden's Neustadt district with clean water. The water from the 243.25-meter-deep well emerges through natural pressure and flowed year-round until June 21, 2023. Due to the small amount of water, the well was never able to fulfill its original purpose.” (Artesischer Brunnen, Wikipedia)

Friday, January 23, 2026

Civiltà Italica

Civiltà Italica by Egidio Girelli, Piazzetta XIV Novembre, Verona

‘Civiltà Italica’ by Egidio Girelli, 1919
Piazzetta XIV Novembre
Verona, May 2025

“The statue, conceived as a female allegory, symbolizes the Civiltà Italica. It was commissioned to remember the victims of the Austrian bombardments on 14th November 1915, during the First World War. The monument was inaugurated on 14th November 1920, for the 5th anniversary of this tragic event. It is by Egidio Girelli (1878-1972), a sculptor from Verona and it is his first statue made of bronze. The female figure, attired in an ancient dress and with a sword in her hand, is seen as the perfect exponent of pain and suffering, also thanks to the loose movement of the statue, which reminds of the Modern Style. The work is in good enough state of preservation and finlyvalued.” (Statua della Civiltà Italica, VisitVerona)

Thursday, January 22, 2026

Toileta

Socha Eva (Statue of Eva) by Jan Štursa, Nerudova, Malá Strana, Prague

Socha Eva (Statue of Eva) by Jan Štursa, 1908
Nerudova, Malá Strana
Prague, September 2024

“Statue of Eva (Woman in the Bath, Toilet). A work by Jan Štursa from 1908, on the dividing line between Art Nouveau and monumental neoclassicism. The result of several studies was a marble sculpture from 1901, followed by another so-called large version in bronze from 1908 and finally in 1910 a version in stone. At its current location in the niche of the ramp of Prague Castle at No. 226, the statue was placed in 1922. A woman on a rocky formation, her head turned to the right, holding back her flowing hair with both hands.” (Socha Eva, Wikimedia)

Wednesday, January 21, 2026

St. Mary of Mount Berico

St. Mary of Mount Berico, Viale Dieci Giugno, Vicenza

St. Mary of Mount Berico
Viale Dieci Giugno
Vicenza, May 2025

“The Church of St. Mary of Mount Berico (Italian: Basilica di S. Maria di Monte Berico) is a Roman Catholic and minor basilica in Vicenza, northern Italy. The church is a Marian shrine, and stands at the top of a hill which overlooks the city. According to the tradition, as recorded in several documents, the Blessed Virgin appeared on the hill twice to a peasant worker named Vincenza Pasini; the first time occurred on March 7, 1426, the second on August 1, 1428. At this time in Veneto, people and economy had been suffering from a terrible plague for years. Mary promised that if people of Vicenza built a church on the top of the hill she would rid them of the plague. People kept their promise and the church was built in 3 months.” (Monte Berico, Wikipedia)

Tuesday, January 20, 2026

Ostermann-Brunnen

Willi-Ostermann-Brunnen (Ostermann Fountain) by Willi Klein, Ostermannplatz, Cologne

Willi-Ostermann-Brunnen (Ostermann Fountain) by Willi Klein, 1939
Ostermannplatz
Cologne, September 2024

“The Ostermann Fountain, which was completed in 1939, stands on the Ostermannplatz square in Cologne’s old town. The figures depicted on the fountain are references to the songs of the Cologne lyricist and singer Willi Ostermann (1876 –1936). His music is still an indispensable part of carnival today, songs such as ‘Däm Schmitz sind Frau eß durchjebrannt’, ‘Einmal am Rhein’ and, of course, the Cologne anthem ‘Heimweh nach Köln’ are among the best-known pieces.” (Ostermann Fountain, Cologne Tourist Board)

Monday, January 19, 2026

La Specola

La Specola, Vicolo dell'Osservatorio, Padua

La Specola
Vicolo dell'Osservatorio
Padua, May 2025

“La Specola is a 14th-century tower, formerly part of a medieval castle, and converted in 1767 into an astronomical observatory (specula) in Padua, region of Veneto, Italy. The 13th-century ruler of Padua, Ezzelino III da Romano, had built a castle at the site; this tower had served as a dungeon. In the 14th-century during a reconstruction by Francesco I da Carrara, this tower was raised further. After its conversion to an astronomical observatory a decade before, in 1777 the tower housed a lower observatory, 16 metres above ground level, and an upper observatory at a height of 35 metres.” (La Specola, Wikipedia)

Sunday, January 18, 2026

Pegasus

Pegasus (Alte Oper) by Georg Hüter, Opernplatz, Frankfurt

“Pegasus” (Alte Oper) by Georg Hüter, 1983
Opernplatz
Frankfurt, September 2024

“In 1983, Pegasus returned to the top gable of the Old Opera House. After the original sculpture by Ludwig Brunow burned during the war in 1944, a faithful replica now adorns the impressive building. Sculptor Georg Hüter crafted it from embossed copper sheet. This hybrid creature, originating from Greek mythology, has the body of a horse and the wings of an eagle, thus combining the symbolic aspects of the horse—vitality and power—with those of the bird—freedom and the striving for transcendence. Together with the panther quadriga, which sits enthroned in the center of the lower gable, Pegasus forms the pinnacle of the Old Opera House's magnificent exterior façade.” (Pegasus, Kunst im öffentlichen Raum Frankfurt)

Saturday, January 17, 2026

Partir

Partir by Jean-Michel Folon, Giardino delle rose (Rose Garden), Via Poggi, Florence

“Partir” by Jean-Michel Folon, 2002
Giardino delle rose (Rose Garden)
Via Poggi
Florence, December 2024

“The Rose Garden is located below the Piazzale Michelangelo in Florence, a superb place to visit also famous for its twelve sculptures by the great painter and sculptor Jean Michel Folon. It’s a place of extraordinary beauty, where there are many types of roses, artworks and a wonderful view of Florence. After a short walk we arrive at the panoramic area where there are the famous artworks ‘Partir’ and ‘Je me souviens’ (the frame-shaped suitcase, and the old man on the bench on which anyone can sit with and admire the Florence panorama).” (The Rose Garden of Florence, ChiantiLife)

Friday, January 16, 2026

Junges Paar

Junges Paar (Young Couple) by Klaus Schwabe, Reichstraße - Salzgäßchen, Leipzig

“Junges Paar” (Young Couple) by Klaus Schwabe, 1968
Reichstraße / Salzgäßchen
Leipzig, September 2024

“Klaus Schwabe (1939-2017) was a German sculptor and graphic artist. From 1953 to 1956, Klaus Schwabe trained as a ceramic sculptor in Sitzendorf, neighboring his birthplace. From 1956 to 1960, he studied at the Leipzig School of Applied Arts, where he taught under Hellmuth Chemnitz, among others. This qualification qualified Schwabe for university studies, which he pursued from 1960 to 1965 at the Dresden Academy of Fine Arts. There, he studied under Walter Arnold, Gerd Jaeger, Hans Steger, and Herbert Naumann, among others. From 1965, he worked as a freelance sculptor in Leipzig. From 1969 to 1972, he taught sculptural design at the evening academy of the Leipzig Academy of Visual Arts (HGB). In 1974, together with Frank Ruddigkeit and Rolf Kuhrt, he won the competition for visual arts design at the Karl Marx University of Leipzig with the monumental relief ‘Aufbruch’ (Marx Relief), beating, among others, Bernhard Heisig.” (Klaus Schwabe, Wikipedia)

Thursday, January 15, 2026

Torre dei Lamberti

Torre dei Lamberti, Via della Costa, Verona

Torre dei Lamberti
Via della Costa
Verona, May 2025

“The Torre dei Lamberti is an 84 m high tower in Verona, northern Italy. Construction of the tower began in 1172. In May 1403, the top of the tower was struck by lightning, but restoration works did not commence until 1448, lasting for 16 years. During this period, the tower was expanded, with the newer sections distinguishable today by their use of different materials, such as marble. The prominent clock was added in 1779. The tower houses two bells: the Marangona , which signals fires, work times, and the hours of the day, and the larger one, called Rengo, used to summon the population to arms or to convene the city's councils. It was used for this purpose during the revolt called Veronese Easter in 1797.” (Torre dei Lamberti, Wikipedia)

Wednesday, January 14, 2026

Schillerdenkmal

Schillerdenkmal (Schiller Monument) by Selmar Werner, Hauptstraße, Dresden

Schillerdenkmal (Schiller Monument) by Selmar Werner, 1914
Hauptstraße
Dresden, September 2024

“Dresden 's Schiller Monument stands southwest of Albertplatz, between the beginning of Hauptstraße and Königstraße in the Innere Neustadt district. It is a work by Selmar Werner, with architecture by Oswin Hempel. On the occasion of the 100th anniversary of Friedrich Schiller's death, a committee was founded in 1905 to erect a Schiller monument in Dresden. While the city of Dresden agreed to provide the site — an open space south of Albertplatz — free of charge, collecting private donations for the estimated construction costs of 30,000 marks proved considerably more difficult. In 1908, the sum had not yet been raised, and an artistic competition was held, but the results could not be implemented. It wasn't until 1913, also as part of the sculptural and artistic reform efforts in Dresden, that Selmar Werner was recruited. Werner came from the school of Robert Diez , who in turn had already created numerous works of art in Dresden, such as the twin fountains ‘Stille Wasser’ and ‘Stürmische Wogen’ on Albertplatz, as well as the ‘Gänsethiebbrunnen’ (Goose Thief Fountain). Werner's concept—which was realized—envisioned Schiller with faithfully portrayed features as a purely spiritual, ideal poetic figure, dressed in Greek costume and surrounded by his most important works.” (Schillerdenkmal, Wikipedia)

Tuesday, January 13, 2026

Loggia Valmarana

Loggia Valmarana, Giardini Salvi, Corso SS. Felice e Fortunato, Vicenza

Loggia Valmarana
Giardini Salvi
Corso SS. Felice e Fortunato
Vicenza, May 2025

“The Loggia Valmarana located inside the Salvi gardens, also called Valmarana Salvi gardens, was probably built in 1591 by a student of Andrea Palladio by the will of Gian Luigi Valmarana himself, who wanted this place become a meeting point between intellectuals and academics. Since 1994 it is part of the City of Vicenza and the Palladian Villas of the Veneto forming the World Heritage Site of the Unesco. The gardens were opened in 1592 by Leonardo Valmarana (date and name are displayed in the Loggia Valmarana) and covered the area bounded by the extension of the Corso Palladio and the course of the Seriola Canal, ditch that since the opening was equipped with a bridge of wood that would allow crossing. Open to the public at the behest of Leonardo, they were later closed for a couple of centuries.” (Loggia Valmarana, Wikipedia)

Monday, January 12, 2026

Palladium fountain

Fountain sculpture by Pavel Roučka, Na Poříčí, Nové Město, Prague

Fountain sculpture by Pavel Roučka, 2007
Na Poříčí, Nové Město
Prague, September 2024

“The Palladium shopping centre was opened to the public on 25 October 2007 after a two-year reconstruction of the former barracks. Pavel Roučka created a fountain sculpture for the small courtyard adjacent to the buildings at the Church of St. Joseph, which opens onto Na Poříčí Street. Its appearance is inspired by the rough stone masonry of the adjacent wall from the 17th century and horse troughs from the 19th century. This created an interesting water cascade, complemented by a modern sheet metal plate, over which the water flows into the sewer grate. On the adjacent reconstructed wall, the artist created a bas-relief with the motif of a horse's head.” (Fountain sculpture in the Equestrian Courtyard of the Palladium Shopping Center, Pražské kašny a fontány)

Sunday, January 11, 2026

Madonna Addolorata al Torresino

Madonna Addolorata al Torresino, Via Memmo, Padua

Madonna Addolorata al Torresino
Via Memmo
Padua, May 2025

“The Madonna Addolorata al Torresino, also called the Santa Maria del Pianto or Santa Maria del Torresino is a Roman Catholic parish church located in the city of Padua, region of Veneto, Italy. An oratory was present at the site adjacent to a torresino (turret) of fortifications. By the 1450s, an icon of the Virgin, painted on a wall by an Antonio dal Santo, was said to fulfill miracles. The present church was built in 1718-1726 using designs by Girolamo Frigimelica Roberti, and completed by Sante Bonato. The church is presently still called ‘Torresino’ due to the tower that crowns the dome, designed by Frigimelica.” (Madonna Addolorata al Torresino, Wikipedia)

Saturday, January 10, 2026

Fischweiberbrunnen

Fischweiberbrunnen (Fishwives Fountain) by Rainer Walk, Am Leystapel, Cologne

Fischweiberbrunnen (Fishwives Fountain) by Rainer Walk, 1986
Am Leystapel
Cologne, September 2024

“The Fischweiberbrunnen (Fishwives' Fountain) is located in the heart of the old town, in front of the historic colourful houses. It was designed by Rainer Walk in 1986 for the 100th anniversary of the district craftsmen's association. It is a reminder of the fish market that used to be located here and was first mentioned in the 12th century. At that time, Cologne was an important centre for the fish trade and, with the Stapelhaus, also offered the possibility of preserving and storing fish.” (Fishwives Fountain, Cologne Tourist Board)

Friday, January 9, 2026

L’attesa

L'attesa by Marco Lodola, Piazza Duomo, Florence

“L'attesa” by Marco Lodola, 2024
Piazza Duomo
Florence, December 2024

Thursday, January 8, 2026

Justitia-Brunnen

Justitia-Brunnen (Fountain of Justice) by Friedrich Schierholz, Römerberg, Altstadt, Frankfurt

Justitia-Brunnen (Fountain of Justice) by Friedrich Schierholz, 1887
Römerberg, Altstadt
Frankfurt, September 2024

“The Fountain of Justice (also known as the Justitia Fountain) is a fountain on the Römerberg in Frankfurt am Main and one of the city's landmarks. It dates back to a previous building on the same site in 1543 and was built in its present form in 1611. During the time of the Holy Roman Empire, it played a special, albeit short-lived, role as a wine fountain for the emperor during the coronation ceremony, and later also for the people. The fountain currently on display is a largely faithful copy from 1887, financed by the Frankfurt wine merchant Gustav D. Manskopf.” (Gerechtigkeitsbrunnen, Wikipedia)

Wednesday, January 7, 2026

Berto Barbarani

Berto Barbarani	 by Novello Finotti, Via Cappello, Verona

Berto Barbarani by Novello Finotti, 2004
Via Cappello
Verona, May 2025

“Roberto Tiberio Barbarani was born in the city on 3 December 1872 and died here on 27 January 1945. He was one of the greatest 20th century Italian language and dialect poets. Roberto, known as Berto, was born in the city centre, near the Ponte Nuovo bridge over the Adige river, to a modest family who ran an ironmongers shops. Despite having to drop out of college after his father’s death to help his mother in the shop, the young Barbarani continued with his studies, until enrolling to read law at Padua university. His time at university did not last long but it offered an environment where he could begin to share his talent for poetry, by contributing to the student newspaper, which published a few of his poems that were later included in his first collection El Rosario del Cor, in 1895. He wrote for many local daily papers such as L’Arena and the Gazzetino. His poems represented the spirit and feelings of the Veronese people, thanks in part to his skilful use of the Verona dialect. His verses are alive with the locations and the characters of daily Verona life in the first half of the twentieth century, full of its joys and sorrows. The loves, affections and fleeting moments of happiness in the lives of Verona people punctuate his verses, which are, however, dominated by a melancholy tone and an awareness of the precariousness of life, particularly towards the end of his days, which coincided with the second world war. In the city, we can find a statue of our beloved Berto in Piazza Erbe, at the entrance to Via Cappello, gazing wistfully towards another statue, the symbol of the city, Madonna di Verona.” (Berto Barbarani, VisitVerona)

Tuesday, January 6, 2026

Mendelssohn-Denkmal

Felix Mendelssohn Bartholdy by Werner Stein, replica by Christian Schulze, Dittrichring, Leipzig

Felix Mendelssohn Bartholdy by Werner Stein, 1892
(Replica by Christian Schulze, 2008) Dittrichring
Leipzig, September 2024

“The Mendelssohn Memorial, located near the west portal of St. Thomas Church in Leipzig, honors the composer and former Leipzig Gewandhaus Kapellmeister and founder of the Conservatory of Music, Felix Mendelssohn Bartholdy. It was erected in 2008 as a faithful replica of the monument that stood from 1892 to 1936 in front of the second Gewandhaus, known as the Neues Concerthaus, in the Music Quarter. Felix Mendelssohn Bartholdy stands as a 2.8-meter-tall bronze ‘Gründerzeit figure with a toga’ on a stepped granite base. The upper part of the base is made of red Meissen granite, the two lower steps are made of gray granite. The total height of the monument is 6.8 meters. Mendelssohn holds a roll of music in his left hand and, standing in front of a music stand, a baton in his right, an indication that he was the first conductor in the modern sense. At Mendelssohn's feet, the muse of music, Euterpe, sits on the steps, leaning on a lyre. Two angels playing music are grouped on either side, the one on the left singing, the one on the right playing the flute and violin. The pedestal bears the composer's name on the front and the inscription ‘Only the noblest thing can proclaim the language of tones’ on the back. On the left side of the pedestal, an organ in a bronze medallion symbolizes sacred music; on the right side, masks, a vase with a dance scene, flutes, and a sword represent secular music.” (Mendelssohn Memorial, Wikipedia)

Monday, January 5, 2026

Giardini Salvi

Giardini Salvi, Corso SS. Felice e Fortunato, Vicenza

Giardini Salvi
Corso SS. Felice e Fortunato
Vicenza, May 2025

“The Salvi gardens (or Salvi garden, also called Valmarana Salvi gardens) are a public garden located in the historic centre of Vicenza, adjacent to the walls of Piazza Castello, in Piazzale De Gasperi. Inaugurated in 1592 by Leonardo Valmarana, the gardens were soon closed and reopened to the public only in 1909. They are, among the green areas for public use in the city, one of the least extensive; they host statues and two loggias in Palladian style.” (Giardini Salvi, Wikipedia)

Sunday, January 4, 2026

Gänsediebbrunnen

Gänsediebbrunnen (Goose Thief Fountain) by Robert Diez, Weißen Gasse, Dresden

Gänsediebbrunnen (Goose Thief Fountain) by Robert Diez, 1878
Weißen Gasse
Dresden, September 2024

“The Goose Thief Fountain is a fountain in the Weiße Gasse in the inner old town of Dresden. It consists of a bronze figure on a stone base in a water basin. The bronze figure was created as a statue by Robert Diez in 1878. The architects Paul Weidner and Giese collaborated on the design of the fountain parts, which are made of Lusatian granite . The bronze casting is the work of the Dresden foundry C. Albert Bierling . It depicts a young man stealing two geese. This sculpture shows Thomas Platter (1499–1582), later a printer and rector of the Latin school in Basel, stealing two geese. In 1512, while on his travels as a traveling student, Platter visited the Kreuzschule in Dresden. He stole two geese for his farewell dinner with the schoolmaster. On the base above a collecting basin supported by four pillars are two more geese and two florally decorated volutes.” (Gänsediebbrunnen, Wikipedia)

Saturday, January 3, 2026

Great Italian Synagogue

Great Italian Synagogue, Via San Martino e Solferino, Padua

Great Italian Synagogue
Via San Martino e Solferino
Padua, May 2025

“The Padua Synagogue, also called the Great Italian Synagogue in Padua (Sinagoga di Padova di rito italiano), is an Orthodox Jewish congregation and synagogue, that is located at San Martino e Solferino 9, in Padua, Veneto, Italy. Completed in 1548, it is the only synagogue still in use of the several that flourished in the university town of Padua from the Renaissance through World War II. The Italian Synagogue was built in 1548. The synagogue underwent renovation and/or restoration in 1581, 1631, 1830, and 1865. It was closed in 1892 when the community built a modern synagogue, but reopened after the war because in 1943 fascists burned the modern synagogue. The synagogue is located at 9 Via San Martino and Solferino in the historic ghetto. It is in the same building as the offices of the Jewish community of Padua. Students visiting the university are welcome to pray with the congregation. Visitors can see the synagogue by contacting the Jewish community.” (Padua Synagogue, Wikipedia)

Friday, January 2, 2026

Kašna Terezka

Kašna Terezka (Teresa Fountain) by Václav Prachner, Mariánské náměstí, Staré Město, Prague

Kašna Terezka (Teresa Fountain) by Václav Prachner, 1812
Mariánské náměstí, Staré Město
Prague, September 2024

“The Fountain with the Allegorical Statue of the Vltava River, also called the Teresa Fountain, is a fountain with a statue of a young girl by sculptor Václav Prachner, designed by Josef Bergler. Since 1812, it has been located on the south side of Mariánské náměstí in the wall of the Clam-Gallas Palace in the Old Town of Prague. The Church of Our Lady of the Pond stood on its site until 1791. The seated girl holds two jugs. Water flows from the vessel in her right hand into a fountain, while in her left hand is a larger vessel with a stream of water, allegorically symbolizing the Vltava River with five stars reminiscent of the legend of the Czech saint John of Nepomuk, who was thrown from the Charles Bridge into the river. The people of Prague became very fond of this fountain and began to call the statue ‘Terezka’, perhaps after the pretty girl who supposedly once came here to fetch water. The fountain was very popular and was damaged and subsequently repaired several times. Since 1953, when it was last reconstructed, a sandstone copy of it has been placed here, the original being kept in the depository of the National Gallery. Several Prague stories and legends are also associated with the fountain.” (Fountain with an allegorical statue of the Vltava River, Wikipedia)

Thursday, January 1, 2026

Saturday afternoon

Saturday afternoon, Piazza del Duomo, Florence

Saturday afternoon
Piazza del Duomo
Florence, December 2024