Tuesday, October 7, 2014

Tindaro

Tindaro by Igor Mitoraj, Puteaux, La Défense, Paris,

“Tindaro” (Tyndareus) by Igor Mitoraj, 1997
Puteaux, La Défense
Paris, July 2008

“‘Tindaro’ is a work by Igor Mitoraj. It is one of the artworks in La Défense, France. The artwork is located in front of the KPMG building. It takes the form of a monumental, truncated bust. The artwork was installed in 1997. Dismantled in 2015.” (Tindaro, Wikipedia)
See also: Testa Addormentata - Centauro - Tindaro Screpolato - Colosse - Ikaria - Bronze Doors - Le Grand Toscano

Monday, October 6, 2014

Lego Beaubourg

Centre Georges Pompidou built with Lego, Rogers Stirk Harbour + Partners, Thames Wharf Studios, Rainville Road, Hammersmith, London

Model of the Centre Georges Pompidou made with Lego
Rogers Stirk Harbour + Partners, Thames Wharf Studios
Rainville Road, Hammersmith
London, September 2014

“Since half of the total available site was set aside as a public square, the building had to be tall enough to accommodate the 90,000 square metres of space demanded by the brief. The decision to place structure and services on the exterior was driven primarily by the need for internal flexibility, the scheme provided huge expanses of uninterrupted space on open floors nearly 50 metres deep.”(Centre Pompidou, Rogers Stirk Harbour + Partners)

Sunday, October 5, 2014

Fritto Misto

Fritto Misto, Burano, Venetian Lagoon, Venice

“Fritto Misto” (Literally: mixed fried food)
Burano, Venetian Lagoon
Venice, September 2012

“Small morsels of meat, seafood, or vegetables coated with batter and deep fried” (Fritto misto, Merriam-Webster)

See also: Fondamenta della Pescheria - Color Like Music - Rio de San Mauro

Saturday, October 4, 2014

Elephant

Elephant by Bill Woodrow, Tate Britain, Millbank, London

“Elephant” by Bill Woodrow, 1984
Tate Britain, Millbank
London, September 2014

“The head, mounted colonial fashion on the wall, was constructed around an ironing board because of its triangular shape and strong frame. I used the ear shape of some old wall maps of Africa and South America... The fact that they are third world continents soon became the point of the work. I thought of jungles, deserts, shanty towns, natural forces, technology, tribes, revolutions. This finally produced an elephant lifting an automatic weapon from a water hole, with the car doors I had found at a breaker's yard forming its banks.” (Elephant 1984, Tate Britain)

Friday, October 3, 2014

Le Bateau ivre

Le Bateau ivre, The Drunken Boat, by Arthur Rimbaud, as a wall poem in rue Férou, Paris
Le Bateau ivre (The Drunken Boat) by Arthur Rimbaud, 1871
As a wall poem in rue Férou
Quartier de l'Odéon, 6th arrondissement
Paris, July 2014

Le Bateau ivre

Comme je descendais des Fleuves impassibles,
Je ne me sentis plus guidé par les haleurs:
Des Peaux-Rouges criards les avaient pris pour cibles
Les ayant cloués nus aux poteaux de couleurs.

J'étais insoucieux de tous les équipages,
Porteur de blés flamands ou de cotons anglais.
Quand avec mes haleurs ont fini ces tapages
Les Fleuves m'ont laissé descendre où je voulais.

Dans les clapotements furieux des marées
Moi l'autre hiver plus sourd que les cerveaux d'enfants,
Je courus! Et les Péninsules démarrées
N'ont pas subi tohu-bohus plus triomphants.

La tempête a béni mes éveils maritimes.
Plus léger qu'un bouchon j'ai dansé sur les flots
Qu'on appelle rouleurs éternels de victimes,
Dix nuits, sans regretter l'oeil niais des falots!

Plus douce qu'aux enfants la chair des pommes sures,
L'eau verte pénétra ma coque de sapin
Et des taches de vins bleus et des vomissures
Me lava, dispersant gouvernail et grappin

The whole poem in French
The Drunken Boat

As I was floating down unconcerned Rivers
I no longer felt myself steered by the haulers:
Gaudy Redskins had taken them for targets
Nailing them naked to coloured stakes.

I cared nothing for all my crews,
Carrying Flemish wheat or English cottons.
When, along with my haulers those uproars were done with
The Rivers let me sail downstream where I pleased.

Into the ferocious tide-rips
Last winter, more absorbed than the minds of children,
I ran! And the unmoored Peninsulas
Never endured more triumphant clamourings

The storm made bliss of my sea-borne awakenings.
Lighter than a cork, I danced on the waves
Which men call eternal rollers of victims,
For ten nights, without once missing the foolish eye of the harbor lights!

Sweeter than the flesh of sour apples to children,
The green water penetrated my pinewood hull
And washed me clean of the bluish wine-stains and the splashes of vomit,
Carrying away both rudder and anchor.

The whole poem in English
(translated by Oliver Bernard)

Thursday, October 2, 2014

Brandon Street Housing

Brandon Street housing by Metaphorm, Elephant & Castle, Southwark, London

Brandon Street affordable housing by Metaphorm, 2010
Elephant & Castle, Southwark
London, September 2014

“Brandon Street contains 18 two- and three-bedroom flats for social rent behind a glittering, undulating ceramic-tiled façade that sweeps along Brandon Street just south of the Heygate. This east-facing wall graduates in colour from yellow on the far left to deep red on the right, and at its foot has a long bench in grey and white concrete facing the street, with four trees to shade it.” (Sunshine in Southwark, London Evening Standard)

Wednesday, October 1, 2014

David

David, copy of the original bronze panel of the Gates of Paradise by Lorenzo Ghiberti, Baptistry of Saint John, Florence

“David”, copy of the original bronze panel of the
Porte del Paradiso (Gates of Paradise) by Lorenzo Ghiberti
Battistero di San Giovanni (Florence Baptistery)
Piazza del Duomo
Florence, October 2013

See also: Adam and Eve - Cain and Abel - Noah - Abraham - Isaac with Esau and Jacob - Joseph - Moses - Joshua