Showing posts with label 2006. Show all posts
Showing posts with label 2006. Show all posts
Tuesday, March 5, 2019
Jacques-Louis David
Grave of Jacques-Louis David (1748-1825)
Cimetière du Père-Lachaise, (Père Lachaise Cemetery)
Quartier du Père-Lachaise, 20th arrondissement
Paris, July 2006
“David's wife Marguerite Charlotte Pécoul is buried in Père Lachaise Cemetery in Paris, and a medaillon of David in relief has been mounted on her grave, where Joseph Marty claimed his heart is buried, oddly only mentioning that it was ‘near his wife's body’ but without mentioning her name.” (Grave of Jacques-Louis David, Wikipedia)
Thursday, February 21, 2019
Jean-François Champollion
Grave of Jean-François Champollion (1790-1832)
Cimetière du Père-Lachaise, (Père Lachaise Cemetery)
Quartier du Père-Lachaise, 20th arrondissement
Paris, July 2006
“Jean-François Champollion (also known as Champollion le jeune, the Younger; 23 December 1790 – 4 March 1832), was a French scholar, philologist and orientalist, known primarily as the decipherer of Egyptian hieroglyphs and a founding figure in the field of Egyptology. A child prodigy in philology, he gave his first public paper on the decipherment of Demotic in 1806, and already as a young man held many posts of honor in scientific circles, and spoke Coptic and Arabic fluently. During the early 19th century, French culture experienced a period of 'Egyptomania', brought on by Napoleon's discoveries in Egypt during his campaign there (1798–1801) which also brought to light the trilingual Rosetta Stone. Scholars debated the age of Egyptian civilization and the function and nature of hieroglyphic script, which language if any it recorded, and the degree to which the signs were phonetic (representing speech sounds) or ideographic (recording semantic concepts directly). Many thought that the script was only used for sacred and ritual functions, and that as such it was unlikely to be decipherable since it was tied to esoteric and philosophical ideas, and did not record historical information. The significance of Champollion's decipherment was that he showed these assumptions to be wrong, and made it possible to begin to retrieve many kinds of information recorded by the ancient Egyptians.” (Jean-François Champollion, Wikipedia)
Saturday, February 9, 2019
Abelard and Heloïse
Grave of Abelard and Heloïse
Cimetière du Père-Lachaise, (Père Lachaise Cemetery)
Quartier du Père-Lachaise, 20th arrondissement
Paris, July 2006
“The story of Abelard and Héloïse has proved immensely popular in modern European culture. This story is known almost entirely from a few sources: first, the Historia Calamitatum; secondly, the seven letters between Abelard and Héloïse which survive (three written by Abelard, and four by Héloïse), and always follow the Historia Calamitatum in the manuscript tradition; thirdly, four letters between Peter the Venerable and Héloïse (three by Peter, one by Héloïse). They are, in modern times, the best known and most widely translated parts of Abelard's work. It is unclear quite how the letters of Abelard and Héloïse came to be preserved. There are brief and factual references to their relationship by 12th-century writers including William Godel and Walter Map. While the letters were most likely exchanged by horseman in a public (open letter) fashion readable by others at stops along the way (and thus explaining Heloise's interception of the Historia), it seems unlikely that the letters were widely known outside of their original travel range during the period. Rather, the earliest manuscripts of the letters are dated to the late 13th century. It therefore seems likely that the letters sent between Abelard and Héloïse were kept by Héloïse at the Paraclete along with the ‘Letters of Direction’, and that more than a century after her death they were brought to Paris and copied.” (Peter Abelard, Wikipedia)
Monday, January 28, 2019
Sarah Bernhardt
Grave of Sarah Bernhardt (1844-1923)
Cimetière du Père-Lachaise, (Père Lachaise Cemetery)
Quartier du Père-Lachaise, 20th arrondissement
Paris, July 2006
“Sarah Bernhardt (born Henriette-Rosine Bernard; 22 or 23 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including La Dame Aux Camelias by Alexandre Dumas, fils; Ruy Blas by Victor Hugo, Fédora and La Tosca by Victorien Sardou, and L'Aiglon by Edmond Rostand. She also played male roles, including Shakespeare's Hamlet. Rostand called her ‘the queen of the pose and the princess of the gesture’, while Hugo praised her ‘golden voice’. She made several theatrical tours around the world, and was one of the first prominent actresses to make sound recordings and to act in motion pictures. She is also linked with the success of artist Alphonse Mucha in giving him his ‘big break’ in Paris. Alphonse Mucha would become one of the most sought after artist of this time for his art nouveau style.” (Sarah Bernhardt, Wikipedia)
Wednesday, January 16, 2019
Camille Pissarro
Grave of Camille Pissarro (1830-1903)
Cimetière du Père-Lachaise, (Père Lachaise Cemetery)
Quartier du Père-Lachaise, 20th arrondissement
Paris, July 2006
“Camille Pissarro (10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the ‘pivotal’ figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the ‘dean of the Impressionist painters’, not only because he was the oldest of the group, but also ‘by virtue of his wisdom and his balanced, kind, and warmhearted personality’. Paul Cézanne said "he was a father for me. A man to consult and a little like the good Lord", and he was also one of Paul Gauguin's masters. Pierre-Auguste Renoir referred to his work as ‘revolutionary’, through his artistic portrayals of the ‘common man’, as Pissarro insisted on painting individuals in natural settings without ‘artifice or grandeur’. Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886. He ‘acted as a father figure not only to the Impressionists’ but to all four of the major Post-Impressionists, Cézanne, Seurat, Gauguin, and van Gogh.” (Camille Pissarro, Wikipedia)
Friday, January 4, 2019
François-Vincent Raspail
Grave of François-Vincent Raspail (1794-1878)
Cimetière du Père-Lachaise, (Père Lachaise Cemetery)
Quartier du Père-Lachaise, 20th arrondissement
Paris, July 2006
“Raspail was born in Carpentras, Vaucluse. A member of the republican Carbonari society and Freemasonry, where he met François Arago, Victor Schoelcher and Auguste Blanqui,[1] Raspail was imprisoned during Louis Philippe's reign (1830–1848) and was a candidate for presidency of the Second Republic in December 1848. However, he was then involved in the attempted revolt of 15 May 1848 and in March 1849 was again imprisoned as a result. After Louis Napoleon's 2 December 1851 coup, his sentence was commuted to exile, from which he returned to France only in 1862. In 1869, during the liberal phase of the Second Empire (1851–1870), he was elected deputy from Lyons. He remained a popular republican during the French Third Republic after the short-term Paris Commune in 1871.” (François-Vincent Raspail, Wikipedia)
Thursday, November 8, 2018
Cadran solaire
Cadran solaire (Sundial) by Daniel Bry, 1986
Jardin Émile-Gallé
Rue Neuve-des-Boulets, Quartier de la Roquette
Quartier Sainte-Marguerite, 11th arrondissement
Paris, July 2006
Tuesday, September 4, 2018
Notre-Dame de l'Assomption
Notre-Dame de l'Assomption des Buttes Chaumont by Denis Honneger, 1960
Rue de Meaux
Quartier du Combat, 19th arrondissement
Paris, July 2006
Saturday, August 25, 2018
Fontaine de la Roquette
Fontaine de la Roquette, 1846
Rue de la Roquette
Quartier de la Roquette, 11th arrondissement
Paris, July 2006
Wednesday, November 15, 2017
Polypores Fountain
Polypores Fountain by Jean-Yves Lechevallier, 1983
Rue Modigliani
Quartier de Javel, 15th arrondissement
Paris, July 2006
“The intersection between Balard and Saint Charles streets, offers a nice cozy square facing one of the entrances of the André Citroën garden. A peculiar fountain which remember a plate or shell stacking decorates the center. A few thin water dashes seep into it. Often, a pigeon finds the top of the fountain as a nice place to perch.” (La Fontaine de la place Modigliani, Paris by the Water)
Thursday, January 19, 2017
Retro Bottega
“Retro Bottega” (Back Shop)
Rue Saint-Blaise
Quartier de Charonne, 20th arrondissement
Paris, July 2006
Wednesday, December 14, 2016
Place des Grès
Fontaine de la place des Grès by Daniel Milhaud, 1983
Rue Vitruve / square des Grès, place des Grès
Quartier de Charonne, 20th arrondissement
Paris, July 2006
Tuesday, December 6, 2016
Sunday, November 20, 2016
Viaduc d'Austerlitz
Viaduc d'Austerlitz (Austerlitz Viaduct), 1904
Quai de la Rapée / Quai d'Austerlitz
Quartier de la Salpêtrière, 13th arrondissement
Paris, July 2006
“Due to restrictions posed by navigational traffic, it was implausible to place a pier in the middle of the river. Therefore, in 1903, engineer Louis Biette, with the help of Fulgence Bienvenüe, conceptualized a metallic bridge that crossed the river in a single span. It was designed by the architect Jean-Camille Formigé, who also designed the Pont de Bir-Hakeim, the greenhouses of Auteiul, and the park below the Basilica of Sacré-Coeur, and restored the Roman amphitheater in Arles and the Roman theater in Orange. .[1] Formigé decorated the steel arcs with marine-themed reliefs, including dolphins, seashells and seaweeds. Parts of the steel footings are etched with figures of the Parisian Coat of Arms, which symbolizes steadfastness.” (Viaduc d'Austerlitz, Wikipedia)
Monday, August 22, 2016
Notre-Dame d'Espérance
Notre-Dame d'Espérance by Bruno Legrand and Jean-Luc Le Roy, 1997
Rue de la Roquette / rue du Commandant-Lamy
Quartier de la Roquette, 11th arrondissement
Paris, July 2006
Sunday, July 22, 2012
The Cromlech and the Hut
“The Cromlech” (no. 2) and “The Primitive Hut (no. 3)
Part of “From caves to Canary Wharf”, a frieze by Kier Smith, 1992
Henrietta House
Welbeck Street / Henrietta Place
London, September 2006
Tuesday, June 12, 2012
Sinatra Live
“Sinatra Live at the London Palladium”
Argyll Street, Westminster
London, September 2006
From February 2006, the theatre played host to a new musical production entitled Sinatra At The London Palladium, which featured a live band, large screen projections and dancers performing Frank Sinatra's greatest hits.
Monday, June 11, 2012
Testing a Footbridge
“Excitation by groups of pedestrians”, or pedestrian tests, before the official opening
Passerelle Simone-de-Beauvoir (Simone-de-Beauvoir Footbridge)
12e / 13e arrondissements
Paris, July 2006
See also: Passerelle Simone-de-Beauvoir
Thursday, November 24, 2011
Les Catherinettes
“Les Catherinettes” (1908) by Julien Lorieux
Square Montholon
Quartier de Rochechouart, 9th arrondissement
Paris, July 2006
Saturday, November 19, 2011
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