Monument to Savonarola

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Monument to Savonarola by Enrico Pazzi, 1875
Piazza Savonarola
Florence, December 2024

“The Monument to Savonarola in Piazza Savonarola is an outdoor marble statue on a plinth in honor of the 15th-century Dominican friar Girolamo Savonarola; it is located in a piazza of the same name a few blocks outside of the Viali di Circonvallazione, in Northeastern Florence, region of Tuscany, Italy. This monument has a colorful history of migrations. The statue was completed circa 1875 by Enrico Pazzi, a native of Ravenna, at a time, when anti-papal feelings ran high in Italy. However, Savonarola has always been a polarizing historic figure, maniacal in his faith, and the perpetrator of the original Bonfire of the Vanities. His theology was not compatible with contemporary liberal thought. The statue was conceived by Pazzi in 1861, who habitually created public monuments before they were requisitioned. A committee was formed in 1869 to commission a monument to Savonarola, which was to be placed in the convent of San Marco; however, they did not choose Pazzi's model, but instead chose one by Giovanni Duprè, a former mentor of Pazzi. This was to lead to fierce conflict between the two sculptors. In 1870, another committee, chaired by Prince Ferdinando Strozzi, selected to commission Pazzi's more grandiose and more anti-papal statue, and obtained the Commune's permission to site the sculpture in the first cloister of the Florentine convent. However, the drop in revenue caused by the transfer of the capital of Italy from Florence to Rome, cancelled this project. By 1873, Duprè completed his contribution: a simple plaque and relief bust placed in the cell of the friar in San Marco. Pazzi's work, completed only in 1875, did not find enough subscribers, and was donated ultimately to the Town Hall. It remained in studio till 1882, when it was installed, to much criticism, into the niche of the southern end of the Salone dei Cinquecento in the Palazzo Vecchio. One justification for this placement was that Savonarola had commissioned the creation of this large hall in 1497. There was still rumors that it would be moved in the future to the precinct of San Marco. The statue had displaced none other than a Michelangelo statue, placed here by Vasari.” (Monument to Savonarola in Piazza Savonarola, Wikipedia)

Bastei Köln

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Bastei Köln by Wilhelm Riphahn, 1924
Konrad-Adenauer-Ufer
Cologne, September 2024

“A striking example of expressionist architecture is located directly on the Rhine in the form of the Bastei, which opened in 1924. Built by architect Wilhelm Riphahn, the restaurant is built on the base of a former Prussian fortress tower and has taken on the name. The architecture, which was modern for its time, was initially controversial when it was built because there were concerns that it would spoil the panoramic view of the Rhine. However, these fears quickly gave way to enthusiasm for the modern building. For Wilhelm Riphahn, the bastion signalled his professional breakthrough. Later, after the building was destroyed in the Second World War, Riphahn rebuilt it in its original form. With its view over the Rhine, the Bastei was one of the best addresses for events for many years. Unfortunately, however, the listed building showed considerable substantial defects. It has therefore been closed. Whether and how maintenance can be guaranteed is currently being examined.” (Bastion, Cologne Tourist Board)

Ponte di Castelvecchio

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Ponte di Castelvecchio Castel Vecchio Bridge)
Corso Castelvecchio
Verona, May 2025

“The Castel Vecchio Bridge (Ponte di Castel Vecchio) or Scaliger Bridge (Ponte Scaligero) is a fortified bridge in Verona, northern Italy, over the Adige River. The segmental arch bridge featured the world's largest span at the time of its construction (48.70 m). It was built (most likely in 1354-1356) by Cangrande II della Scala, to grant him a safe way of escape from the annexed eponymous castle in the event of a rebellion of the population against his tyrannic rule. The solidity of the construction allowed it to resist untouched until, in the late 18th century, the French troops destroyed the tower on the left bank (although it probably dated from the occupation of Verona by the Visconti or the Republic of Venice). The bridge was however totally destroyed, along with the Ponte Pietra, by the retreating German troops on April 24, 1945. The bridge's reconstruction by architect Libero Cecchini began in 1949 and completed in 1951, with the exception of the left tower.” (Castelvecchio Bridge, Wikipedia)

Liegende

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“Liegende” (Reclining) by Willi Schmidt, 1977
Große Bockenheimer Landstraße
Frankfurt, September 2024

“The female figure in Freßgass was modeled after a much smaller one that the sculptor Willi Schmidt had exhibited in Frankfurt's former Technical City Hall. Frankfurt city officials liked it so much that Schmidt was commissioned to create a larger version for the city center. The material used, Naxos marble, takes its name from a Greek island where it has been mined since ancient times and continues to this day. Rudolf Kipp also created reclining figures for the Taunusanlage and Christian Peschke for Feuerbachstraße.” (Liegende, Kunst im öffentlichen Raum Frankfurt)

Santa Maria Annunciata

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Cathedral of Santa Maria Annunciata
Piazzetta del Duomo
Vicenza, May 2025

“Vicenza Cathedral (Italian: Cattedrale di Santa Maria Annunziata, Duomo di Vicenza) is a Roman Catholic cathedral in Vicenza, Veneto, northern Italy. It is the seat of the Bishop of Vicenza, and is dedicated to the Annunciation of the Virgin Mary. Construction of the cathedral was begun in 1482, to plans by Lorenzo of Bologna, and completed in the 1560s. The cupola was planned by Andrea Palladio and probably the north doorway also. Only the original façade survived the bombing of World War II; the rest of the present building has been reconstructed.” (Vicenza Cathedral, Wikipedia)

Synagogendenkmal

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Synagogue Memorial by Sebastian Helm and Anna Dilengite, 2001
Gottschedstraße / Zentralstraße
Leipzig, September 2024

“On the site of the Moorish synagogue stands today the Holocaust memorial. This powerful installation is made of 140 empty bronze chairs, representing the 14.000 Jews who once prayed there and outlining the floor plan of the destroyed synagogue.” (Leipzig, The Cultural Guide to Jewish Europe) “The site of the former synagogue had served as a parking lot and the site of a transformer station for decades. After the city of Leipzig acquired the property only in 1997, it launched a Saxony-wide, anonymous competition in 1999 in collaboration with the Jewish Religious Community, inviting ten international artists. The design by Leipzig artists Sebastian Helm and Anna Dilengite, which had only made it onto the shortlist for implementation, was ultimately chosen. Following a majority vote by the Leipzig City Council in October 2000, the site was transformed into a large-scale memorial. Inaugurated on June 24, 2001, the memorial traces the floor plan of the destroyed building on an area of ​​12 × 12 meters. The interior is a field of 140 empty bronze chairs, intended to convey a tangible sense of the loss of the architectural shell. The western boundary of the site is formed by a wall of exposed concrete, with texts in English, German, and Hebrew on three bronze plaques each.” (Große Gemeindesynagoge, Wikipedia)

Loggia dei Carraresi

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Loggia dei Carraresi (Lodge Carrarese)
Via Accademia
Padua, May 2025

“The Loggia dei Carraresi is a historic building in Padua located in via Accademia. It is the last surviving part of the Reggia Carrarese, the large residence of the Da Carrara family, lords of Padua. Since 2021 it has been included by UNESCO among the world heritage sites in the site of the 14th-century fresco cycles of Padua.” (Loggia dei Carraresi, Wikipedia)

On a drunken donkey

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“Bacchus auf einem trunkenen Esel reitend” (Bacchus riding on a drunken donkey) by Georg Wrba, 1910
(The original statue of 1952 was cast iron)
Rathausplatz
Dresden, September 2024

“Georg Wrba (3 January 1872 – 9 January 1939) was a German sculptor and graphic artist. He created some 3,000–4,000 works, including as a collaborator of the Zwinger workshop. Wrba was born in Munich in 1872, the son of a smith. His younger brother Max Wrba became an architect in Dresden. Wrba began his training with Jakob Bradl the Elder and his son Jakob Bradl the Younger. From 1891 to 1896, he studied at the Akademie der Bildenden Künste München under Syrius Eberle. After some time spent in Italy (with Egon Rheinberger), a trip made possible by a travel award from Prince Regent Luitpold, he settled in Munich as an independent sculptor in 1897 and became director of the city's school of sculpture. In 1906 and 1907, he worked in Berlin, where he created sculptures for buildings for the architects Ludwig Hoffmann and Alfred Messel. Wrba then moved to Dresden, where from 1907 to 1930 he taught at the Dresden Academy of Fine Arts. He brought the Dresden school of sculpture into contact with the reforming ideas of the Deutscher Werkbund and was a founding member of the Dresden Artists' Association, known as ‘Die Zunft’ (The Guild). The basic aim of the ‘Werkbund’, and also of ‘Die Zunft’, was to achieve a collaboration between and integration of various forms of art, rejecting ornamentation for its own sake: painting and sculpture were to form integral parts of architecture. In Dresden he made, among many other works, the Marie Gey Fountain near the Dresden Hauptbahnhof in the Südvorstadt, which was donated by a Dr. Heinze for his wife, a student at the Kunstakademie, who had died young. In 1910 Wrba agreed a contract for the restoration and completion of the missing parts of the Zwinger, for which he directed the work of 53 sculptors from 1911 to 1933, and himself created many groups of figures modelled from the life. Wrba died on 9 January 1939 in Dresden, where a street is named after him. He is buried in the Munich Waldfriedhof.” (Georg Wrba, Wikipedia)

Four hooded crows

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Four hooded crows
Piazza Savonarola
Florence, December 2024

“The hooded crow (Corvus corone cornix), also colloquially called just hoodie, is a Eurasian bird subspecies of the carrion crow (Corvus corone) in the genus Corvus. Widely distributed, it is found across Northern, Eastern, and Southeastern Europe, as well as parts of the Middle East. It is an ashy-grey bird with black head, throat, wings, tail, and thigh feathers, as well as a black bill, eyes, and feet. Like other corvids, it is an omnivorous and opportunistic forager and feeder.” (Hooded crow, Wikipedia)

Goethe-Institut

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Goethe-Institut
Masarykovo nábřeží, Nové Město
Prague, September 2024

“The Goethe-Institut in Prague has been located in a building on Masaryk Embankment since 1991. This Art Nouveau building was built between 1903 and 1905, thanks to the renovation of previous houses. These were from the 15th century – the Šandovský house (At the Three Wild Men) and part of Nové Lázně No. 228. The current building was designed by Jiří Stibral, the sculptures on the facade were designed by sculptor Ladislav Šaloun. The investor was Fr. Schaffer. It was built for the First Czech Insurance Bank, which had its headquarters here. However, it was nationalized in 1945 and closed down in 1958. Between 1945-48, the building was used by the Bulgarian Embassy, and between 1949-1990, it was used by the Embassy of the German Democratic Republic. Since 1991, the building has been the seat of the Prague Goethe-Institut.” (Goethe-Institut Czech Republic, Wikipedia)

Arco dei Gavi

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Arco dei Gavi
Corso Cavour
Verona, May 2025

“The Arco dei Gavi is an ancient structure in Verona, northern Italy, situated at the beginning of the Via Postumia, just outside the Roman walls of the city. Built to celebrate the gens Gavia, a noble Roman family who had their hometown in Verona, the Arco dei Gavi is a very rare example of a privately funded monumental Roman arch. During the Renaissance the arch was one of the most admired monuments in Verona, being described by humanists and antiquarians, who studied in detail the proportional relationships and decoration of the structure. The arch served as inspiration for many architects and painters, such as Andrea Palladio, Antonio da Sangallo the Younger, Sebastiano Serlio, Giovanni Maria Falconetto, Michele Sanmicheli, Giovanni Bellini and Andrea Mantegna. It had a particularly pronounced influence on the architecture of Verona itself, serving as a model for the construction of portals, altars and chapels in the churches of the city. The arch no longer stands in its original position, as it was demolished by French military engineers in 1805, however, the numerous surveys that had previously been produced made it possible to reassemble it by anastylosis, a process completed in 1932. Subsequently, it was relocated to the small square of Castelvecchio, where it is still located today.” (Arco dei Gavi, Wikipedia)

Hohenzollern Bridge

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Hohenzollern Bridge by Franz Heinrich Schwechten, 1911
Kennedy-Ufer
Cologne, September 2024

“The Hohenzollern Bridge (German: Hohenzollernbrücke) is a bridge crossing the river Rhine in the German city of Cologne (German: Köln). It crosses the Rhine at kilometre 688.5. Originally, the bridge was both a railway and road bridge. However, after its destruction in 1945 and subsequent reconstruction, the bridge has been only accessible to rail and pedestrian traffic. It is the most heavily-used railway bridge in Germany with more than 1,200 trains crossing daily, connecting the Köln Hauptbahnhof and Köln Messe/Deutz stations. The bridge was constructed between 1907 and 1911 after the demolition of old bridge, the Cathedral Bridge (Dombrücke). The Cathedral Bridge was unable to handle the increasing rail traffic imposed by the inauguration of the Köln Hauptbahnhof. The new bridge was named after the House of Hohenzollern, the rulers of Prussia and German Emperors. (At the time, Cologne formed part of the Prussian Rhine Province.)” (Hohenzollern Bridge, Wikipedia)

Andrea Palladio

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Monument to Andrea Palladio by Vincenzo Gajassi, 1859
Piazza dei Signori
Vicenza, May 2025

Schauspielhausbrunnen

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Märchenbrunnen (Fairy Tale Fountain) by Friedrich Christoph Hausmann, 1910
Untermainanlage
Frankfurt, September 2024

“The Fairytale Fountain or Schauspielhaus Fountain in Frankfurt am Main is located on the Untermainanlage next to the Frankfurt Municipal Theater. It is an Art Nouveau fountain that was completed in 1910. The construction of the fountain was initiated and financed by the art patron Leo Gans, who, as director of the Cassella works in Fechenheim, founded an art fund at the turn of the century and spent 150,000 marks (around 1.3 million euros in today's purchasing power) on the project. The sculptor Friedrich Christoph Hausmann was commissioned to create the fountain figure from white Tyrolean marble, a nymph (popularly known as the ‘Mainweibchen’). In the house of the city's well-known Jewish aristocratic family Carl and Arthur von Weinberg, where many social events took place, the choice fell on a young, pretty laundress from Niederrad who worked there: Margarete Endres, the later wife of the organist Eduard Gelbart. She was the daughter of a rubber mixer from Lower Franconia - not, as is often mistakenly believed, a baker. In 1906 (she was 19 years old at the time) she posed as a model for Städel professor Friedrich Hausmann.” (Märchenbrunnen, Wikipedia)

Basilica of Saint Anthony of Padua

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Basilica of Saint Anthony of Padua
Piazza del Santo
Padua, May 2025

“The Pontifical Basilica of Saint Anthony of Padua (Italian: Basilica Pontificia di Sant'Antonio di Padova) is a Catholic church and minor basilica in Padua, Veneto, Northern Italy, dedicated to St. Anthony of Padua. Although the basilica is visited as a place of pilgrimage by people from all over the world, it is not the cathedral of the city, a title belonging to the Cathedral-Basilica of St. Mary of Padua. The basilica is known locally as ‘il Santo’. It is one of the national shrines recognized by the Holy See. Two chapels within the Basilica of Saint Anthony — the Cappella di San Giacomo and the Cappella del beato Luca Belludi — are included in the UNESCO World Heritage Site Padua's fourteenth-century fresco cycles, inscribed in 2021.” (Basilica of Saint Anthony of Padua, Wikipedia)

Märchenbrunnen

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Märchenbrunnen (Fairy Tale Fountain) by Josef Mágr, 1906
(New bronze figures by Elfriede Ducke and Hanna Studnitzka, 1965)
Dittrichring
Leipzig, September 2024

“The Fairy Tale Fountain in the promenade on Dittrichring was created by Josef Mágr in 1906. In the grotto of the central section, life-size bronze figures of the fairy tale characters Hansel and Gretel are mounted on a pedestal. Above them is a stone relief of a witch and a raven. Above the benches on either side of the central section are two bronze reliefs depicting key scenes from the fairy tale (Getting Lost in the Forest, Discovering the Gingerbread House, Returning Home). The bronze parts of the fountain were removed in 1942 and used in the armaments industry. Since 1965, the fountain has been adorned with new figures designed by Leipzig artists Elfriede Ducke and Hanna Studnitzka.” (Fountain in Leipzig, Wikipedia)

Mercato delle Cure

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Mercato delle Cure (Le Cure market)
Piazza delle Cure
Florence, December 2024

Trümmerfrau

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Trümmerfrau (Rubble woman) by Walter Reinhold, 1968
(The original statue of 1952 was cast iron)
Rathausplatz
Dresden, September 2024

“Trümmerfrauen (lit. rubble women) were women who, in the aftermath of World War II, helped clear and reconstruct the bombed cities of Germany and Austria. Hundreds of cities had suffered significant bombing and firestorm damage through aerial attacks and ground war, and with many men dead or prisoners of war, this monumental task fell to a large degree on women. 3.6 million out of the sixteen million homes in 62 cities in Germany were destroyed during Allied bombings in World War II, with another four million damaged. Half of all school buildings, forty percent of the infrastructure, and many factories were either damaged or destroyed. According to estimates, there were about 500 million cubic metres of rubble (a volume of over 150 Great Pyramids of Giza) and 7.5 million people were made homeless.” (Trümmerfrau, Wikipedia)

Porta Borsari

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Porta Borsari
Corso Porta Borsari
Verona, May 2025

“Porta Borsari is an ancient Roman gate in Verona, northern Italy. The gate dates to the 1st century AD, though it was most likely built over a pre-existing gate from the 1st century BC. An inscription dating from emperor Gallienus' reign reports another reconstruction in 265 AD. The Via Postumia (which here became the decumanus maximus) passed through the gate, which was the city's main entrance and was therefore richly decorated. It also originally had an inner court, now disappeared. The gate's Roman name was Porta Iovia, as it was located near a small temple dedicated to Jupiter lustralis. In the Middle Ages it was called Porta di San Zeno, while the current name derives from the guard soldiers which were paid the dazio (Latin bursarii). The façade, in local white limestone, has two arches flanked by semi-columns with Corinthian capitals which supports entablature and pediment. In the upper part is a two-floor wall with twelve arched windows, some of which are included in small niches with triangular pediment.” (Porta Borsari, Wikipedia)

Sedící dívka

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“Sedící dívka” (Sitting girl) by Jan Hana, 1958
U Sovových mlýnů, Malá Strana
Prague, September 2024

“The ‘Sitting girl’, also called Jarmila, is a sandstone sculpture in Kampa Park on Kampa Island in Lesser Town, Prague. Sitting Girl is a nude of a slender girl sitting on a stone, created by the academic sculptor Jan Hána (1927–1994). The sculpture was created in 1958 or 1965 and has been located in Kampa Park since 1977. The sculpture is placed on a low ashlar plinth.” (Sedící dívka, Wikipedia)

St. Mark and the Redeemer

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Column with the lion of St. Mark, 1473
Column of the Redeemer, 1640
Piazza dei Signori
Vicenza, May 2025

“Parallel to the smaller eastern side of the square, the first of the two current columns was built in 1464: the winged lion that surmounts it is the symbol of the Republic of Venice and was placed there in 1473, after Vicenza had surrendered to the Serenissima. Over a century and a half later, a second column was added next to it, with the statue of Christ the Redeemer, in 1640. The choice was widely discussed and was decided in honour of the city and its citizens. Behind the columns is the area (which also includes the small Piazza Biade) once used as a grain market (the space is still used today for seasonal markets).” (Piazza dei Signori, Wikipedia)

St. Andrew's Church

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St. Andrew's Church
Komödienstraße
Cologne, September 2024

“St. Andrew's (German: St. Andreas) is a 10th-century Romanesque church located in the old town of Cologne, Germany. It is one of twelve churches built in Cologne in that period. Archbishop Gero consecrated the church in 974, dedicating it to St. Andrew, although an earlier church at the site was dedicated to St. Matthew. In the 12th century, the church was rebuilt in the Romanesque style, and was probably completed after the great fire of Cologne in 1220. In the crypt of the church lies a Roman sarcophagus from the 3rd century, which holds the remains of the 13th-century theologian and natural philosopher St. Albertus Magnus. Since 1947, the Dominican Order has ministered to the church.” (St. Andrew's Church, Wikipedia)