Tuesday, November 11, 2014
Santo Stefano
“Santo Stefano” (Saint Stephen) by Lorenzo Ghiberti, 1428 (copy)
Orsanmichele, Via dell'Arte della Lana side
Florence, April 2014
“Lamberti's marble St. Luke, which was once in the spot now occupied by Giambologna's St. Luke, is now in the Bargello. Likewise a marble St. John The Evangelist by the school of Orcagna was replaced with a bronze by Anrea Pisano (the guilds showed their importance and wealth by using bronze instead of gold, which was much more expensive) and is now in the Spedale Innocenti. And lastly, the original marble St. Stephen, again by Pisano, was replaced with a bronze version by Ghiberti. Pisano's St. Stephen can be seen at the Opera Duomo. ” (Sculptures of Orsanmichele, Orsanmichele)
See also: Christ and St. Thomas - San Luca - Madonna delle Grazie Altar - San Matteo
Monday, November 10, 2014
Cleopatra's Needle
Cleopatra's Needle
Victoria Embankment
London, September 2014
“On erection of the obelisk in 1878 a time capsule was concealed in the front part of the pedestal, it contained : A set of 12 photographs of the best looking English women of the day, a box of hairpins, a box of cigars, several tobacco pipes, a set of imperial weights, a baby's bottle, some children's toys, a shilling razor, a hydraulic jack and some samples of the cable used in erection, a 3' bronze model of the monument, a complete set of British coins, a rupee, a portrait of Queen Victoria, a written history of the strange tale of the transport of the monument, plans on vellum, a translation of the inscriptions, copies of the bible in several languages, a copy of John 3:16 in 215 languages, a copy of Whitaker's Almanack, a Bradshaw Railway Guide, a map of London and copies of 10 daily newspapers.” (The London needle, Wikipedia)
Sunday, November 9, 2014
Khachkar
A khachkar, also known as Armenian cross-stone, 2007
In memory of the Medz Yeghern (Armenian Genocide)
Salita di San Nicola da Tolentino
Rome, April 2013
“The most common khachkar feature is a cross surmounting a rosette or a solar disc. The remainder of the stone face is typically filled with elaborate patterns of leaves, grapes, pomegranates, and bands of interlace. Occasionally a khachkar is surmounted by a cornice sometimes containing biblical or saintly figures.” (Khachkar, Wikipedia)
Saturday, November 8, 2014
Paris-Plages 2014
Temporary artificial beaches for Paris-Plages
Between Pont au Change and Pont Notre-Dame
4th arrondissement
Paris, July 2014
“For one month every summer, the Georges Pompidou Expressway along Paris’s Right Bank transforms into a pedestrian refuge replete with a sandy beach. A dazzling array of attractions vie for your attention, from activities like dance lessons, climbing walls, games, and swimming (in floating pools, not the Seine, thankfully), to amenities like beach chairs, cafes, misting fountains, and shady palm trees. Its enormous popularity can be traced to strong management and innovative programming, which keep the place humming well into the night with shows and performances.” (Paris Plage, Project for Public Spaces)
Friday, November 7, 2014
Church of Saint Sebastian
Chiesa di San Sebastiano (Church of Saint Sebastian)
Campo San Sebastian, Dorsoduro
Venice, October 2012
“Its contents make the Church of San Sebastiano one of the very centres of Venetian art, conserving as it does, an extraordinary body of works by Paolo Caliari, better known as Veronese. The confraternity of Gerolimine fathers founded the church in the 15th century, and then in 1506 a series of alterations gave the building its present appearance: a single-nave interior preceded by an atrium and raised choir and culminating in an apsidal presbytery under a cupola.” (Church of San Sebastiano, Chorus)
Thursday, November 6, 2014
Approach Split
“Approach Split” by Gary Webb, 2010
Lend Lease's EMEA Headquarters
20 Triton Street, Regent's Place
London, September 2014
“Webb was born in Dorset but now lives and works in London. He developed his work whilst studying at Goldsmiths for a BA in fine art. He is an abstract sculptor who unites both traditional and modern materials in unexpected combinations and configurations. Initially spontaneous drawings, they are then developed into three dimensional objects, which frequently bear only a tangential relationship to their starting point.” (About the Artists, Regent’s Place Art Guide)
Wednesday, November 5, 2014
Cathedral of St. Sava
Serbian Orthodox Cathedral of St. Sava
West 25th Street
New York, September 2008
“Trinity Chapel was offered to the Serbs as well as to the Russian and Greek Orthodox communities. It was decided to sell the property to the Serbs for several reasons: 1) the Serbian people had no church on the east coast of America; 2) the project had the support of Yugoslav King Peter II; 3) the long-standing relationship of St. Bishop Nikolai with the Anglican Church in England and his particularly close connections with Bishop Manning and Canon Edward West.” (History of the Cathedral of St. Sava in New York, Serbian Orthodox Cathedral of Saint Sava)
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