Tuesday, October 14, 2003

Quatre captifs

Quatre captifs (Four Captives) by Martin Desjardins, Quatre nations vaincues (Four Defeated Nations), Musée du Louvre, Paris

“Quatre captifs” (Four Captives) by Martin Desjardins, 1682
aka “Quatre nations vaincues” (Four Defeated Nations)
Cour Puget, Musée du Louvre
Rue de Rivoli
Quartier Saint-Germain-l'Auxerrois, 1st arrondissement
Paris, July 2002

“Taken from the pedestal of the statue in the Place des Victoires, these captives represent the nations defeated by the Treaty of Nijmegen (1679). Each expresses a different reaction to captivity: revolt, hope, resignation, or grief. They were first kept in the Invalides (1804-1939) then allocated to the Louvre in 1960 and placed in the grounds of the Château de Sceaux from 1961 to 1992.” (Four Captives, Musée du Louvre)

Monday, October 13, 2003

MR 1802

Cheval retenu par un palefrenier by Guillaume Coustou, Cour Marly, Musée du Louvre, Paris

Cheval retenu par un palefrenier by Guillaume Coustou, 1745
Cour Marly, Musée du Louvre
Rue de Rivoli
Quartier Saint-Germain-l'Auxerrois, 1st arrondissement
Paris, July 2002

Sunday, October 12, 2003

MR 1803

Cheval retenu par un palefrenier by Guillaume Coustou, Cour Marly, Musée du Louvre, Paris

“Cheval retenu par un palefrenier” by Guillaume Coustou, 1745 Cour Marly, Musée du Louvre
Rue de Rivoli
Quartier Saint-Germain-l'Auxerrois, 1st arrondissement
Paris, July 2002

Saturday, October 11, 2003

Mercure à cheval sur Pégase

Mercure à cheval sur Pégase by Antoine Coysevox, Cour Marly, Musée du Louvre, Paris

“Mercure à cheval sur Pégase” by Antoine Coysevox, 1702
Cour Marly, Musée du Louvre
Rue de Rivoli
Quartier Saint-Germain-l'Auxerrois, 1st arrondissement
Paris, July 2002

Friday, October 10, 2003

La Renommée à cheval sur Pégase

La Renommée à cheval sur Pégase (Fame of Louis XIV) by Antoine Coysevox, Cour Marly, Musée du Louvre, Paris

“La Renommée à cheval sur Pégase” (Fame of Louis XIV) by Antoine Coysevox, 1702
Cour Marly, Musée du Louvre
Rue de Rivoli
Quartier Saint-Germain-l'Auxerrois, 1st arrondissement
Paris, July 2002

Thursday, October 9, 2003

Cour Marly

Cour Marly, Musée du Louvre, Rue de Rivoli, Paris

Cour Marly, Musée du Louvre
Rue de Rivoli
Quartier Saint-Germain-l'Auxerrois, 1st arrondissement
Paris, July 2002

Wednesday, October 8, 2003

Vénus de Milo

Vénus de Milo (Venus de Milo) by Alexandros of Antioch, Musée du Louvre, Paris

Vénus de Milo (Venus de Milo) by Alexandros of Antioch
Musée du Louvre
Rue de Rivoli
Quartier Saint-Germain-l'Auxerrois, 1st arrondissement
Paris, July 2002

“The Venus de Milo (Greek: Αφροδίτη της Μήλου, romanized: Afrodíti tis Mílou) is an ancient Greek sculpture that was created during the Hellenistic period, sometime between 150 and 125 BC. It is one of the most famous works of ancient Greek sculpture, having been prominently displayed at the Louvre Museum since shortly after the statue was rediscovered on the island of Milos, Greece, in 1820. The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. The sculpture is sometimes called the Aphrodite de Milos, due to the imprecision of naming the Greek sculpture after a Roman deity (Venus).[2] Some scholars theorize that the statue actually represents the sea-goddess Amphitrite, who was venerated on the island in which the statue was found. The work was originally attributed to the 4th century Athenian sculptor Praxiteles, but, based upon an inscription on its plinth, it is now widely agreed that the statue was created later, and instead is the work of Alexandros of Antioch. Made of Parian marble, the statue is larger than life size, standing 204 cm (6 ft 8 in) high. The statue is missing both arms, with part of one arm, as well as the original plinth, being lost after the statue's rediscovery.” (Venus de Milo, Wikipedia)