Frescoes by Benedetto and Gabriele Tola, 1555
Großer Schlosshof (Great Courtyard)
Residenzschloss (Residential Palace)
Schloßstraße, Altstadt
Dresden, September 2024
“The history of the frescoes begins in the 16th century. Elector Moritz I of Saxony, like so many rulers and nobles of his time, had a soft spot for the Italian Renaissance. And after visiting the country in 1549, he brought capable artists and master builders to the Elbe. They were to transform Dresden Castle into the most modern residence north of the Alps, following the Italian model, and to let the Elector's power shine through their work. The highlight of the imposing Renaissance building was the Altan in the Great Courtyard with its giant paintings 19 metres long and up to 5.70 metres high, which Moritz commissioned the brothers Benedict and Gabriel Tola from Brescia to create. For centuries, they were considered the Saxon wonder of the world. But nothing had been seen of the original for a long time: A large part of the pictures was destroyed by the great castle fire of 1701, and another was simply painted over at the end of the 19th century. The little that remained was destroyed by the bombs in 1945. But the frescoes, which covered an area of 250 square metres, were not irretrievably lost: Already in the 1970s there were initial plans to recreate the paintings. In 2015, Matthias Zahn, who had been involved in planning the reconstruction of Dresden Castle since 1988, was finally commissioned to restore the loggia. Over several years, the restorer evaluated old models of the castle, studied historical engravings and oil paintings from the 17th century. Fortunately, some sketches by the Tola brothers for the Altan were found in the Kupferstichkabinett. A photo by the Dresden photographer Hermann Krone from 1865 also provided information about the motifs. But in which style did the artists paint? ‘Because the Tola brothers didn't leave any paintings behind, we had to look for other role models,’ reports Matthias Zahn.” (The frescoes on the Altan are finished, Dresden Magazin)
