Ionic Screen by Decimus Burton
Hyde Park Corner
London, September 2005
“The renovation of Hyde Park, Green Park, and St James's Park, began, in 1825, with the demarcation of new drives and pathways, subsequent to which Burton designed new lodges and gates, viz. Cumberland Gate, Stanhope Gate, Grosvenor Gate, the Hyde Park Gate/Screen at Hyde Park Corner, and, later, the Prince of Wales's Gate, Knightsbridge, in the classical style. There were no authoritative precedents for such buildings, which required windows and chimney stacks, in the classical style, and, in the words of Guy Williams, 'Burton's reticent treatment of the supernumerary features' and of the cast iron gates and railings, was 'greatly admired'. At Hyde Park Corner, the King required that 'some great ceremonial outwork that would be worthy of the new palace that lay to its rear', and accepted Burton's consequent proposal for a sequence comprising a gateway and a classical screen, and a triumphal arch, which would enable those approaching Buckingham Palace from the north to ride or drive first through the screen and then through the arch, before turning left to descend Constitution Hill and enter the forecourt of Buckingham Palace through Nash's Marble Arch. The screen became the Roman revival Hyde Park Gate/Screen at Hyde Park Corner, which delighted the King and his Committee, and which architectural historian Guy Williams describes as 'one of the most pleasing architectural works that have survived from the neo-classical age'.” (
Hyde Park Corner, Wikipedia)
