Le Mariage de la Vierge, high relief by Henry de Triqueti
Chapelle Saints-Innocents
Église Saint-Eustache (Church of St. Eustache)
Impasse Saint-Eustache
Quartier des Halles, 1st arrondissement
Paris, July 2002
“Baron Henri Joseph François de Triqueti (24 October 1803 – 11 May 1874), also spelt Henry de Triqueti, was a French sculptor and artist. Henri Joseph François de Triqueti was born in the Château du Perthuis in Conflans-sur-Loing, the son of Piedmontese industrialist and diplomat Baron Michel de Triqueti, a native of Annecy. In 1788, Michel Triquet was made a baron by King Victor Amadeus III of Sardinia and the name changed to Triqueti. Triqueti's career started around 1830, when he turned to sculpture, and away from painting, which had been his chief preoccupation up to this point. Triqueti progressively assumed the position of one of the July Monarchy’s official sculptors, obtained the patronage of King Louis-Philippe. The bronze doors of the church of La Madeleine in Paris (1834–41), and the tomb effigy of Ferdinand-Philippe d’Orléans (1842) are the key works of the first period of his career, the ‘French’ phase (1831–48). With the fall of the July Monarchy in 1848, Triqueti redoubled his efforts in England, establishing links with prestigious patrons, chief among them the royal couple. His standing as an artist, his deep piety and extensive knowledge of Renaissance art endeared him to Prince Albert[citation needed]; his ‘English’ phase lasted from 1849 until his death.” (Henri de Triqueti, Wikipedia)
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