Tuesday, March 31, 2020
White dolphins
White dolphins
Museo nazionale del Bargello (Bargello National Museum)
Via del Proconsolo
Florence, January 2019
Monday, March 30, 2020
Charging Bull
“Charging Bull” by Arturo Di Modica, 1987
Bowling Green
Financial District, Lower Manhattan
New York, September 2007
“On October 19, 1987, Black Monday hit U.S. financial markets and the country entered a very difficult period. Di Modica recounted that he felt indebted to the United States of America for welcoming him and enabling his success. Wanting to give something back, he conceived the Charging Bull sculpture. Di Modica spent the next two years creating the 16-foot bronze, reportedly financing the $350,000 cost himself. The sculpture was created in his Crosby Street studio and then cast using a local foundry. Once complete, Di Modica spent the next few nights watching the police patrols on Wall Street trying to find a window of opportunity. After establishing exactly where he wanted to place the bull, outside the New York Stock Exchange Building, he went home to rest. On December 15, Di Modica returned with a group of friends and Charging Bull on the back of a truck. However upon his arrival, during the day time a 40-foot Christmas tree had been installed exactly where he wanted to place the sculpture. With only four minutes between the police patrols, he announced ‘drop the bull under the tree – it's my gift.’ Di Modica stayed by the bull to greet the morning commuters as they came to discover the sculpture. However, while he was away for lunch, the New York Stock Exchange arranged for the sculpture to be collected by a local firm. The late night event went on to make news all around the world, including the front page of the New York Post. Due to the public demand for the bull's return, Parks Commissioner Henry Stern arranged for the sculpture's installation at Bowling Green on December 20, where it can be found to this day.” (Arturo Di Modica, Wikipedia)
Sunday, March 29, 2020
François Poccardi
Grave of François Poccardi (1881-1946)
Cimetière du Père-Lachaise, (Père Lachaise Cemetery)
Quartier du Père-Lachaise, 20th arrondissement
Paris, July 2014
Saturday, March 28, 2020
Friday, March 27, 2020
Thursday, March 26, 2020
Hračky U Zlatého lva
Hračky U Zlatého lva (Toys at the Golden Lion)
Celetná
Staré Město (Old Town)
Prague, September 2017
Wednesday, March 25, 2020
Tuesday, March 24, 2020
Castle Clinton
Castle Clinton National Monument
Battery Park
Lower Manhattan
New York, September 2007
“Castle Clinton or Fort Clinton, previously known as Castle Garden, is a circular sandstone fort located in Battery Park, in Manhattan, New York City. Built from 1808 to 1811, it was the first American immigration station (predating Ellis Island), where more than 8 million people arrived in the United States from 1855 to 1890. Over its active life, it has also functioned as a beer garden, exhibition hall, theater, and public aquarium. Castle Clinton National Monument was listed on the National Register of Historic Places on October 15, 1966.” (Castle Clinton, Wikipedia)
Monday, March 23, 2020
Hans Christian Andersen
Statue of Hans Christian Andersen by Tibor Bártfay, 2006
Hviezdoslavovo námestie
Staré Mesto (Old Town)
Bratislava, September 2017
Sunday, March 22, 2020
Saturday, March 21, 2020
Dancing Courtiers
Dancing Courtiers by Ambroise-Nicolas Cousinet, 1758
Museu Nacional de Arte Antiga (National Museum of Ancient Art)
Rua das Janelas Verdes
Lisbon, April 2019
Friday, March 20, 2020
Mariahilfer Kirche
Mariahilfer Kirche (Church of Mariahilf)
Mariahilfer Straße
Vienna, September 2017
“The Church of Mariahilf is a Baroque parish church and the church of the Congregation of Saint Michael the Archangel (Congregatio Sancti Michaëlis Archangeli) in Vienna. It is located in Vienna's 6th district (Mariahilf). The parish church of Mariahilf was built by Sebastiano Carlone in 1686–1689, but redesigned by Franz Jänggl (1711–1715).” (Church of Mariahilf, Wikipedia)
Thursday, March 19, 2020
A crowded bridge
Bust of Benvenuto Cellini by Raffaello Romanelli, 1901
On a crowded Ponte Vecchio
Florence, January 2019
Wednesday, March 18, 2020
Tuesday, March 17, 2020
Szabadság-szobor
Szabadság-szobor (Liberty Statue) by Kisfaludi Strobl Zsigmond, 1947
Gellért-hegy (Gellért Hill)
Budapest, September 2017
Monday, March 16, 2020
Sunday, March 15, 2020
Saint Vincent Panels
‘Saint Vincent Panels’ by Nuno Gonçalves, 1450s
Museu Nacional de Arte Antiga (National Museum of Ancient Art)
Rua das Janelas Verdes
Lisbon, April 2019
“The ‘Saint Vincent Panels’, or the ‘Adoration of Saint Vincent’ panels, are a polyptych consisting of six panels that were perhaps painted in the 1450s. They are attributed to the Portuguese painter Nuno Gonçalves, who was active from 1450 to 1471. Traditionally, the polyptych is dated to the 1450s due to the putative prominence of Prince Henry the Navigator among the persons represented in the panels (Henry died in 1460). Controversy concerning the true nature of Henry's presence in the panels - if any - along with the inclusion of figures that can be identified as his brothers, all of whom died before 1450, renders it difficult to assign any secure date for the creation of the panels other than sometime during the floruit of the painter Gonçalves. The original retable, during its stay in the Cathedral of Lisbon, contained ‘over twelve’ panels, as a source from 1767 states. They were displayed in the cathedral at least until 1690 and were set aside in the cathedral until 1742. They were then transferred to the palace of Mitra, where they escaped the devastating earthquake of Lisbon in 1755. The panels are now housed in the Museu Nacional de Arte Antiga (National Museum of Antique Art), in Lisbon, Portugal.” (Saint Vincent Panels, Wikipedia)
Saturday, March 14, 2020
Famille Daumy
Grave of family Daumy
Cimetière du Père-Lachaise, (Père Lachaise Cemetery)
Quartier du Père-Lachaise, 20th arrondissement
Paris, July 2014
Friday, March 13, 2020
Lungarni
Lungarno degli Archibusieri and Lungarno Generale Diaz
Seen from the Ponte delle Grazie
Florence, January 2019
Thursday, March 12, 2020
Wednesday, March 11, 2020
Dům U Minuty
Dům U Minuty (The House at the Minute)
Staroměstské náměstí
Staré Město (Old Town)
Prague, September 2017
“The house can be found in the neighbourhood of the Old Town Hall area. In core, it is late-Gothic from the beginning of the 15th century; it was modified in Renaissance style after 1564. At the end of the 16th century, the owners added a low third floor to the originally two-storied house, terminated by a mighty lunette cornice. In late Baroque, the position of windows was changed several times. The house is a typical example of Bohemian burgess Renaissance architecture. Before 1712, the house was owned by MatÄ›j Bartl, who ran a pharmacy here. Back then the house was called At the White Lion. From the end of the 18th century on, there was a house emblem in a form of a Classicist sculpture of a white lion. The sculpture of the lion still decorates the corner of the house today. The later name, At the Minute (U Minuty), is derived from the word minutious, i.e. very small, tiny, and it documented the fact that ‘minced’ tobacco used to be sold here.” (The House at the Minute, Prague.eu)
Tuesday, March 10, 2020
Roberto Bellarmino
Bust of Cardinal Roberto Bellarmine by Gian Lorenzo Bernini, 1624
Chiesa del Gesù (Church of the Gesù)
Via degli Astalli
Rome, May 2019
“The Bust of Cardinal Roberto Bellarmine is a half-length portrait of Saint Robert Bellarmine by the Italian artist Gian Lorenzo Bernini. It was executed in the years 1621–1624, and unveiled in August 1624. It sits in the Chiesa del Gesù, Rome. It was commissioned by Pope Gregory XV and Cardinal Odoardo Farnese after Bellarmine's death. A tomb (now-destroyed) surrounding the bust was designed by Girolamo Rainaldi, and included sculptural decoration by Bernini's father, Pietro, and Bernini's some-time assistant, Giuliano Finelli. ” (Bust of Cardinal Roberto Bellarmine, Wikipedia)
Monday, March 9, 2020
Half fox
“Half fox” by Bordalo II, 2017
Avenida 24 de Julho
Lisbon, April 2019
“Within the confines of an abandoned warehouse in Lisbon, artist Bordalo II just opened the doors to his largest body of work to date, dozens of animalistic assemblages comprised of his trademark medium: trash. Using locally-sourced waste plastics, car parts, construction materials, and other found detritus, Bordalo has become famous for his uncanny depictions of animals—those most vulnerable to the side effects of our disposable economy. While scale often plays a large role in his outdoor wall-mounted street pieces, the artist also created considerably smaller assemblages attached to old doors, siding, and windowpanes. (Bordalo II, Colossal)
Sunday, March 8, 2020
Saturday, March 7, 2020
Friday, March 6, 2020
D Sixth Avenue Express
D Sixth Avenue Express
Stillwell Avenue station
Coney Island, Brooklyn
New York, September 2007
“The D Sixth Avenue Express is a rapid transit service in the B Division of the New York City Subway. Its route emblem, or ‘bullet’, is colored orange, since it uses the IND Sixth Avenue Line in Manhattan. The D operates at all times between 205th Street in Norwood, Bronx, and Stillwell Avenue in Coney Island, Brooklyn via Grand Concourse in the Bronx, Central Park West and Sixth Avenue in Manhattan, the north side of the Manhattan Bridge, and Fourth Avenue and West End in Brooklyn.” (D Sixth Avenue Express, Wikipedia)
Thursday, March 5, 2020
Wednesday, March 4, 2020
When I Was Naked
When I Was Naked by Timothy Schmalz
San Pietro in Vincoli
Piazza di San Pietro in Vincoli
Rome, May 2019
Tuesday, March 3, 2020
EDP Headquarters
EDP Headquarters by Aires Mateus, 2015
Avenida 24 de Julho
Lisbon, April 2019
“These also function as shade structures and, although static, the angle in relation to the façade was studied to go against the strongest solar exposure (south/west). This inclination also creates a dynamic effect, depending on the observer’s position: sometimes opaque, sometimes transparent. The construction system of the building is divided into two distinct parts: the underground levels are in white concrete, a heavier and more opaque solution where large spaces and patios of natural light stand out; in opposition, the raised floors (towers) stand out for their transparency, through a light metallic structure, that comes true in the façade lines (coated in GFRC – Glass Fibre Reinforced Concrete) and in the glazing. As a complement to the predominant materials (concrete and glass), the interior finishes are always metallic, in stainless steel and aluminum. In the public areas (square and lobby), due to these place’s dignity, the option went to a white stone covering.” (EDP Headquarters, Arch2o)
Monday, March 2, 2020
Sunday, March 1, 2020
Rehearsal
New Year's Eve concert rehearsal
Piazzale Michelangelo
Florence, December 2018
“Piazzale Michelangelo is the main venue for Florence’s official New Year’s Eve celebrations. Singers Francesco Renga and Baby K have been announced as the acts seeing in 2019, alongside Radio Bruno DJs. Free entrance starting at 9pm. Enjoy classical music in piazza della Signoria, jazz and gospel in piazza del Carmine, circus antics by Cirk Fantastik! in Anconella Park and electronic music at Manifattura Tabacchi.” (New Year’s Eve 2019 in Florence, The Florentine)